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-   -   Set up differences/jazz and classical players (http://www.smithbassforums.com//showthread.php?t=80)

Ken Smith 02-04-2007 01:04 PM

FB work
 
Quote:

Originally Posted by Bob Branstetter (Post 470)
The 6 items Arnold mentioned (Fingerboard, Nut, Bridge, Soundpost, Tailpiece, & Strings) covers what I consider to be normal setup work. IMO, the neck work that Ken mentioned is repair work that would be done prior to or in addition to normal setup work.

Bob, at what point if any is anything to do with the FB an actual repair and not set-up?

Also, how many times have you seen an over cambered FB be the result of a week Neck under the FB or due to an overly thinned FB. Is putting on a new FB a repair if it helps to strengthen the Neck because it can't be corrected in the Camber or is it still set-up because you didn't actually re-carve or put Graphite rods in the Neck?

Bob Branstetter 02-04-2007 04:22 PM

Quote:

Originally Posted by Ken Smith (Post 471)
Bob, at what point if any is anything to do with the FB an actual repair and not set-up?

Also, how many times have you seen an over cambered FB be the result of a week Neck under the FB or due to an overly thinned FB. Is putting on a new FB a repair if it helps to strengthen the Neck because it can't be corrected in the Camber or is it still set-up because you didn't actually re-carve or put Graphite rods in the Neck?

I think this is largely a matter of semantics. IMO, Replacing a fingerboard, regluing a loose FB, or neck work are not part of the setup itself, although it is sometimes necessary to do these repairs before a normal setup is possible.

Ken Smith 02-04-2007 05:23 PM

Semantics..
 
Quote:

Originally Posted by Bob Branstetter (Post 477)
I think this is largely a matter of semantics. IMO, Replacing a fingerboard, re-gluing a loose FB, or neck work are not part of the setup itself, although it is sometimes necessary to do these repairs before a normal setup is possible.

Yes, semantics was exactly what I was getting at. You and Arnold regard set-up as mentioned in the earlier posts while a musician taking his Bass in may just consider his Bass needs to be fixed!

Also, I regard set-up as to what a Bass player with some knowledge can do on his own if he has some training if the FB it properly cambered. I have re-cut or re-slotted most of the Bridges on my Basses and re-filed the Nuts as needed. On occasion I have made, re-spaced, shimmed or even put on a false nut to alter the String Length. This I call set-up as well.

Ken Smith 02-04-2007 05:37 PM

Differences..
 
Whew.. now that I finished cleaning off my shoes after stepping into that debate, lets get back to topic.

I have used spacing as tight as 23.5/24mm and as wide as 27 mm. The 27mm is recent as Arnold likes that for Bowing and does from 26-27mm on my Basses that might go up for sale after I break in the Bass. This would be an orchestra set-up. Last week I had a visitor that played Jazz, acoustic only with Gut strings and preferred wider spacing and higher string height. His set-up was close to the highest and widest I have seen and he plucks at the edge of the FB towards the bridge. He plays hard and loud and loves the oldies like Blanton, S.Jones, Chambers, R.Brown and Mingus etc.

On the opposite note, I still have the Bridge from my old Italian Bass that I played both Jazz and Classical styles on and the spacing is about 23.5-24mm per string center-to-center.

This was what I meant about there being no standards. Brian Bromberg and Stanley Clarke prefer ultra low action while others are up there with the classical guys height wise. Also, while most Classical players prefer higher action, there are some that like it lower and tighter.

Bob Branstetter 02-04-2007 11:08 PM

Quote:

Originally Posted by Ken Smith (Post 482)
Yes, semantics was exactly what I was getting at. You and Arnold regard set-up as mentioned in the earlier posts while a musician taking his Bass in may just consider his Bass needs to be fixed!

A musician can consider it anything he wants, but when you are running a shop that caters to a wide range of customers, you have to have a (shop) definition of what the term setup means. You, as a customer/musician, are welcome to specify anything you wish, but that does not change my shop definition of what work will normally considered part of a normal setup. If you call me asking about a "setup", I will tell you what that normally entails. If you want more than that (and are willing to pay extra for it), I'll gladly do the work. However, MY Shop defintion of what a normal setup consist of is unchanged.

Arnold Schnitzer 02-06-2007 09:06 AM

Quote:

Originally Posted by Ken Smith (Post 484)
Also, while most Classical players prefer higher action, there are some that like it lower and tighter.

Did you say "Action"? :confused:

Ken Smith 02-06-2007 09:46 AM

Action, action..
 
Quote:

Originally Posted by Arnold Schnitzer (Post 529)
Did you say "Action"? :confused:

Yes, I did and for a reason. It's the easiest most common single word to describe the string height and feel without writing a short story to make someone understand what you are talking about concerning the UPRIGHT Bass.. Action on the Upright!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!:D:D:D

Arnold Schnitzer 02-06-2007 12:48 PM

I quit. Pick up all your stuff.

Ken Smith 02-06-2007 09:44 PM

sniffle..
 
Quote:

Originally Posted by Arnold Schnitzer (Post 533)
I quit. Pick up all your stuff.

And I just got another Bass to keep you employed for the rest of the year.. What a shame..:(

Bob Branstetter 02-07-2007 11:57 AM

Quote:

Originally Posted by Arnold Schnitzer (Post 529)
Did you say "Action"? :confused:

Hey Arnold, atleast he didn't say "fretboard"! Oh, I forgot, that's Warburton's hot button.

Ken Smith 02-07-2007 12:14 PM

Fretboard..
 
Quote:

Originally Posted by Bob Branstetter (Post 553)
Hey Arnold, atleast he didn't say "fretboard"! Oh, I forgot, that's Warburton's hot button.

Don't laugh Bob. Believe me, I was thinking of throwing that in as well.

"The words we don't wanna here on the TB side"
Fretboard
Action (but I like this one!!)
Stand-up Bass
Headstock
Scale Length (added).. Isn't String length a description of the scale of the Bass? Are we that snobby over here?:rolleyes:

Any more guys?

Jim Gullen 02-07-2007 02:52 PM

Quote:

Originally Posted by Ken Smith (Post 556)
"The words we don't wanna here on the TB side"
Fretboard
Action (but I like this one!!)
Stand-up Bass
Headstock

Any more guys?

Please refrain from "Scale length"....

....Mensure sounds so much more sophisiticated! ;)

Best regards!

Jim

Ken Smith 02-07-2007 03:48 PM

additions..
 
Quote:

Originally Posted by Jim Gullen (Post 563)
Please refrain from "Scale length"....

....Mensure sounds so much more sophisiticated! ;)

Best regards!

Jim

Mensure? Sounds like a female thing. I would almost prefer scale length..lol :D

Also, when I ask, what's your measurements, I have to be careful who I ask. Might get a slap if I'm not careful. :(

No Miss, I mean your bouts, rib depth and string length..:eek:

Jim Gullen 02-08-2007 06:59 AM

Quote:

Originally Posted by Ken Smith (Post 564)
Mensure? Sounds like a female thing. I would almost prefer scale length..lol :D

I think it's more a leopard can't change his spots kinda thing. Admit it, you're REALLY just an EBG guy, hanging out with us more sophisticated types! :p :D

Quote:

Originally Posted by Ken Smith (Post 564)
Also, when I ask, what's your measurements, I have to be careful who I ask. Might get a slap if I'm not careful. :(

Does this bass make my butt look fat? :confused: :eek: :( ...:D

Best regards!

Jim

Greg Clinkingbeard 02-08-2007 08:50 AM

Quote:

Originally Posted by Jim Gullen (Post 581)

Does this bass make my butt look fat? :confused: :eek: :( ...:D

Best regards!

Jim

Nope, I saw your butt before you got the bass.:D


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