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-   -   Show your Extensions! (http://www.smithbassforums.com//showthread.php?t=361)

Bryan Leinwand 06-18-2012 06:14 PM

1 Attachment(s)
D extension

Joshua phelps 06-22-2012 08:36 AM

Extension $
 
Ken

Is it really as labour intensive as they say to make a proper extension? I saw you said you were making them in your shop now, did you make the one for the hart? It looks great.

Joshua phelps 06-22-2012 08:38 AM

"labor" sorry my auto spell thinks we are in europe

Ken Smith 06-22-2012 10:10 AM

Quote:

Originally Posted by Joshua phelps (Post 24805)
Ken

Is it really as labour intensive as they say to make a proper extension? I saw you said you were making them in your shop now, did you make the one for the hart? It looks great.

I never said I made them in my shop, sorry.

All my extensions are by Arnold or Jeff so far.

Compared to other extensions I have seen, these are the best so far. I have tried other extensions from various basses that come thru the Orchestra and basses that come in here and sometimes, I feel sorry for them. The one with those 'easy to install' Capos cannot be flipped with the back edge of your fore finger on the fly. More likely with these and others with sharp points, you will hurt yourself. Using a full hand or two hands even to hold your bass and flip or close a capo makes a 5-string bass look more appealing.

Joshua phelps 06-22-2012 11:19 AM

Woops
 
I guess I read than incorrectly, still a nice extension though.

Bryan Leinwand 08-05-2012 04:56 AM

No one noticed that my odd D extension is actually made from a single fingerboard with the extension cut out.
Half size string length with added 2 notes on a 1/8th size bass. Tuned A D G C with a low G.
Bass bar and soundpost modifications were necessary.
The bass sounds great.

Anselm Hauke 08-05-2012 02:40 PM

wow, how do you change the strings? esp. at the two lower machines.

Ken Smith 08-05-2012 02:50 PM

??
 
Quote:

Originally Posted by Bryan Leinwand (Post 24995)
No one noticed that my odd D extension is actually made from a single fingerboard with the extension cut out.
Half size string length with added 2 notes on a 1/8th size bass. Tuned A D G C with a low G.
Bass bar and soundpost modifications were necessary.
The bass sounds great.

What is the string length on your bass? And, the low? C tuning is with the extension included or in addition?

Thomas Erickson 08-06-2012 06:03 AM

Quote:

Originally Posted by Bryan Leinwand (Post 24795)
D extension

That's... unusual, at least! :D

Got any more pics? What do you use the bass for?

Jeff Schwartz 08-06-2012 03:48 PM

D extension
 
Lemur had this bass for a while:

http://www.youtube.com/watch?v=Q2wWDdPSvnQ

It's the only other D extension I've seen.

Ken Smith 08-06-2012 04:28 PM

Quote:

Originally Posted by Jeff Schwartz (Post 25003)
Lemur had this bass for a while:

http://www.youtube.com/watch?v=Q2wWDdPSvnQ

It's the only other D extension I've seen.

Watching them both open that extension, they need both hands to do so. Opening that thing on the fly if at all possible with one hand of the edge or it while playing will definitely cause injury. That Extension would not be useful in an Orchestra unless pre-set to D or E. Also, fingering the E note with the 'flipper' open doesn't look easy as well to get in there close.

If you have an Extension, it should be to a 'C' and nothing less. Why bother at all putting something on? I can tune down and back up as easy or more to D or Eb without any alteration to the bass. I did a rehearsal last week playing the New World Symphony, the 3rd time in a year as I did it with two other Orchestras last season. In the beginning are two low Eb's and I used my C-Extensions set at first to Eb for the start and later down the page I closed it to E for the rest of the piece. Last week I just tuned down to Eb for the start and tuned back up with no sweat being that it was just a rehearsal, leaving my bigger basses at home that I have extensions on.

I think putting on a D-extension is like doing it half way. It makes no sense to me and if you can't change back and forth while playing without interruption, it's not a workable extension in my opinion.

Bryan Leinwand 08-08-2012 12:38 PM

Well heres how it went:
I started of with a 1/8th size bass. (about 80cm i think?).
Its my feeling that at least for me qualitatively, a half size string length is the absolute minimum. So 97 cm. In order to achieve this with the same neck heel note, I had to extend the string length in both directions. I have a D extension on my Romanian 1/2 size with 97cm string length so this bass was made to match. BTW the D extension with the open A and D is great. The notes reinforce and actually swell when in tune.
Extra long fingerboard. Normal width tapered in the back to the neck width. With one tuner turned around and most of the bottom curve to the pegbox taken away, the two extra notes can be fingered in one easy motion.

Since moving the bridge down sets the bridge on a stiffer part of the top, some internal mods were done, and a lot of tension was taken off with a very high French style tailpiece. This is a low tension system. Sound post is above the bridge.

To bring out the upper bass resonance peak when playing acoustically a hole was made in the shoulder to compensate for the small cavity (and top and string length) that is expected to reproduce the same tuning as a normal instrument. In a smaller system dealing with the same low tuning, the alignment changes and the bass is much more critical and sensitive to small changes. The bass was made to amplify, but has a well balanced sound acoustically if not as loud. The goal was to make the bass work correctly "mechanically". I found that by only amplifying just the missing parts of the lowest octave it can sound like a well balanced normal sized instrument played acoustically. Mostly I play fully amplified though. As far as comfort, It balances well and the feel of the board and the string spacing are even better than my 1/2 size.

Oh, one last note. Its now tuned a d g c with a g extension. so I only lose 3 half steps. Evah pirazzi c was the only string I could find that wasn't thin and twangy. Same thickness as the spirocore G. A pleasure to play. The bass is now antiqued black like the bass I bought from Ken in 84. It was immediately taken more seriously as people tend to hear with their eyes.

Bryan Leinwand 08-08-2012 12:47 PM

Quote:

Originally Posted by Anselm Hauke (Post 24997)
wow, how do you change the strings? esp. at the two lower machines.

It is is a bit more difficult, but nothing that a long nose plier couldn't make much easier.

Ken Smith 08-08-2012 12:52 PM

Quote:

Originally Posted by Bryan Leinwand (Post 25017)
Well heres how it went:
I started of with a 1/8th size bass. (about 80cm i think?).
Its my feeling that at least for me qualitatively, a half size string length is the absolute minimum. So 97 cm. In order to achieve this with the same neck heel note, I had to extend the string length in both directions. I have a D extension on my Romanian 1/2 size with 97cm string length so this bass was made to match. BTW the D extension with the open A and D is great. The notes reinforce and actually swell when in tune.
Extra long fingerboard. Normal width tapered in the back to the neck width. With one tuner turned around and most of the bottom curve to the pegbox taken away, the two extra notes can be fingered in one easy motion.

Since moving the bridge down sets the bridge on a stiffer part of the top, some internal mods were done, and a lot of tension was taken off with a very high French style tailpiece. This is a low tension system. Sound post is above the bridge.

To bring out the upper bass resonance peak when playing acoustically a hole was made in the shoulder to compensate for the small cavity (and top and string length) that is expected to reproduce the same tuning as a normal instrument. In a smaller system dealing with the same low tuning, the alignment changes and the bass is much more critical and sensitive to small changes. The bass was made to amplify, but has a well balanced sound acoustically if not as loud. The goal was to make the bass work correctly "mechanically". I found that by only amplifying just the missing parts of the lowest octave it can sound like a well balanced normal sized instrument played acoustically. Mostly I play fully amplified though. As far as comfort, It balances well and the feel of the board and the string spacing are even better than my 1/2 size.

Oh, one last note. Its now tuned a d g c with a g extension. so I only lose 3 half steps. Evah pirazzi c was the only string I could find that wasn't thin and twangy. Same thickness as the spirocore G. A pleasure to play. The bass is now antiqued black like the bass I bought from Ken in 84. It was immediately taken more seriously as people tend to hear with their eyes.

Ok, so you are doing something completely different here. Especially with the sound post above the bridge. That, I think will be trouble down the road. This thread about C-extensions is mainly for Orchestra basses as I see very little use for it in other areas of music. You seem to have found something else to apply it too and with a smaller that regular bass. Good luck with it.

Bryan Leinwand 08-08-2012 01:24 PM

Can you explain why you think the post above will cause trouble down the line?

Ken Smith 08-08-2012 01:31 PM

Quote:

Originally Posted by Bryan Leinwand (Post 25020)
Can you explain why you think the post above will cause trouble down the line?

Was the post perfectly fit to begin with? If not, it is already damaging the Top. Possibly it will crack the top or poke thru it. I have never heard of the post being above the bridge. Playing a 1/2 sized basses with an extension and tuned up a 4th is a Tenor bass of sorts, not a double bass. So, everything is weird about this. Post some pictures so we don't all get a headache trying to imagine this. It is way off topic anyway so we might as well end the story with some visuals. ;)

Bryan Leinwand 08-08-2012 01:42 PM

Quote:

Originally Posted by Ken Smith (Post 25021)
Was the post perfectly fit to begin with? If not, it is already damaging the Top. Possibly it will crack the top or poke thru it. I have never heard of the post being above the bridge. Playing a 1/2 sized basses with an extension and tuned up a 4th is a Tenor bass of sorts, not a double bass. So, everything is weird about this. Post some pictures so we don't all get a headache trying to imagine this. It is way off topic anyway so we might as well end the story with some visuals. ;)

With all due repect, anyone concerned with the mechanics of a bass might be interested. If not, no harm done.
Is it off topic then?

The soundpost of course was refitted. Maybe you thought I would have just moved it as it was after doing all this work. Where's the argument here? I see none. I think that it arises from its unconventionality.

Haven't jazz players used extensions by the way? Is this forum only for classical bassists. Is it only for traditional techniques? is it open minded?
I would hope so.
I would hope to find any interesting or even controversial information in a forum such a this. Is that not what a forum is about?
We can all learn something here.

The bass works well as a contrabass too. And like I said, as a tenor bass, with the extension it only loses three 1/2 steps.

Bryan Leinwand 08-08-2012 01:51 PM

One thing, when I say above, I don't mean clear of the foot. Same position as what would be called below.

Robert Anzellotti 08-27-2012 04:51 AM

Finally finished extension for my Geiger bass!
 
http://www.smithbassforums.com/[...t/100_9816.jpghttp://www.smithbassforums.com/[...t/100_9816.jpghttp://i389.photobucket.com/albums/o...t/100_9816.jpg

Slideshow:
http://s389.photobucket.com/albums/o...view=slideshow

I still haven't mounted it. Also need to smooth out the varnish a bit. This is the only one I've made from scratch. I ended up with just enough room to bring the string back over the scroll and over a second smaller pulley which sends the string down to the "A" tuner.

Ken, you make a valid point about the sharp ends of the fingers, but the example you saw was very early work. For many years now I have a greatly improved leather wrap, including a larger radius at the end. If this is still not enough, I can on special request wrap a thicker band of leather and make an even softer edge, but everyone out there who uses them seems perfectly happy the way they are. There is an aesthetic thing here too. Some people prefer so see less bulk on their scroll!

JoeyNaeger 08-27-2012 08:58 AM

1 Attachment(s)
Looks great, I was thinking a two piece extension would make routing the string around the scroll easy. Glad to see someone implement it the way I imagined. Here is an extension I finished last night.


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