Glockenklang
 

My rig consists of:
a Glockenklang Soul top 440 watts and two 2x10 Duo Cabinets:)

I have owned other brands but nothing I've tried compares really, it's an amp that makes your bass sound like an acoustic instrument, it's really awefully transparant, also that means it doesn't hide or smooth-out any imperfections your instrument might have, also it really really fast. I never turn a knob on that thing everything is flat and, believe it or not, I play all my basses passive on it, the only thing I do is give the gain just a nodge of hair just giving that extra little edge of dynamics and caracter. It's one amzing amp, you buy this once you never look at another thing really, atleast thats how I feel:rolleyes:

Only thing missing... a Smith... but that will soon change:cool:
Once I have that in my hands I won't find the time to post on forums anymore hehehe

My rigs consist of a SWR SW400 with a Goliath II ( pre-fender). My second rig is a Gallian-Krueger 700RBII 2X10 combo. I use that for the smaller venues.:cool:

hey guys, new person here. im using an eden wt800 with ebs 15 bottom and hartke 410 top with a boss gt6b. i set everything flat and adjust at the bass. sometimes ill use (in small settings due to club or stage size, or if i dont feel like lifting heavy stuff), just an eden 550 and hartke 410 with my korg ax10b. most of the time i use my smith bass, its very very warm feeling. but if im more into having fun than tone control i use the fender jazz plus (seafoam green and ugly as sin, but it plays itself). and i always run through my yamaha ne1 magic box. :)

Another new guy here :) I have a small PA system, with a Carvin 12 channel mixer and 400 watt power amp powering my old band's Yamaha stage monitors. It was far cheaper than a new combo or dedicated bass amp, and sounds great for a now retired former bar band rocker's living room setup. I'm thinking of getting a nice stereo delay to add a bit of separation since I can go stereo with my setup, but at the moment it is just straight into my little PA and sounds great.

One more fairly new guy here, just findin my way around. For the record, usin a Mesa Impulse 600 and a Bergantino HT-310 as my main rig. Also have an SWR Red Head, the original 200w version, and both Goliath III 2x and 4x10 cabs. I'll use the Mesa and both Goliath cabs on real big gigs, just the Red Head for teeny, intimate stuff. But generally use the Berg. Loud cab, one of best stand alones I've ever used.

As of now I use ofcourse SWR grand prix preamp , Carvin DCM 1000 pwr ampw/ SWR triad cab. For the smaller gigs I use Carvin BR 610 combo, or my SWR setup w/ a peavey 210TX. I try to keep it simple.

weight loss...
 

Hi all!
I actually use a Walter Woods blue light and an Ampeg 4x10HE, but i am evaluating to switch to bergantino EX112..
After 15 years of amateur gigs my back wants some relief!

Just for fun, in light of what's on display here, I'm posting my humble dog-eared rig:

The gig-rig is...
-ART Tube EQ (preamp);
-Crest FA 1201 (power amp);
-Avatar 210 NEO, 4 ohms;
-EV B-115 cab, BW 1504-8 ohm loaded (needs to be a 1504-4 ohm, but it works);

The rock band (read: "Garage-Level Punk band") rig is...
-Peavey Mark III head;
-2x Peavey 115BX/BW cabs, BW 1502-8 loaded (need to change these to 1504-4, to get the most out of the Peavey MK III Battle-Axe).

(Playing a Smith Burner CR4, Godin A4 fretless, Squier Classic Vibe 50's P-Bass and Peavey Dyna-Bass Unity according to the mood of the evening and ferociousness- or not!- of the set list.)

I'm more into "Thump" than nuance/high freq's, so I've kept my amp expenses down to a minimum- seems to work that way, and frankly it's necessary at this point. But I love the feel and play of the Smith Burner- and it looks cool! It has a classic 'mojo' going on somehow, in a Post-Fender Era kind of way. So in this way I'm "wasting" the Smith on this old funky gear, but it works for me.

Compared to you guys (at least the last half dozen posts), I'm really a slacker. I tend to use an SWR Super Redhead for both electric and upright bass. No outboard preamps, no cool effects - just an old, beat up amp. I took an Eden Metro out on an upright and an electric gig this week, but it didn't do it for me on either. If I thought that 30 watts of pure tube power would work, I'd start taking my old B15 out on all my gigs, but as soon as a drummer enters the equation, the B15 loses...

Nothing wrong with an old beat up amp! Doesn't the SWR do it for you? Man, I'd use that Super Redhead with an extension cab- maybe a Bag-End SD-15. Done deal.

I'm only using the outboard EQ and power amp because they were available cheap. I'd love an SWR Bassic 350 head and Goliath II cab- or a Bag End. But I'm building a Bill Fitzmaurice Omni 15 Tallboy cab this spring, and at that point will look for a head in earnest, probably give up the Crest poweramp. Simple is really the way to go for amps, for me. I don't like having a lot of pieces of gear.

An extension cabinet? Jeez - one of my complaints about the Super Redhead is its weight! :)

Actually, If I just replaced the wheels, the SWR would still be good for the electric bass work that I do (with an extension cabinet for the loudest gigs), but for the upright stuff, I'm not completely satisfied with the sound I'm getting from the SWR.

Have you tried standing the SWR on it's side? Word has it that speakers arranged in a vertical orientation will give up a more 'hearable' sound, and a little more of it. Dunno, just a thought. That and an EQ tweak might bring the right noise.

Well here we go again, I just switched out my Ampeg B2r head for the SWR SM 500 Bass head.

Lol!
 

Lol! Albert, what's up? I thought you were an Ampeg-man to the bone? What happened? :)

Well .......... I finally have it !!! I have replaced my whole rig........ I now have a Markbass LMKII , Carvin BR 210 cab , Hartke Hydrive 410 . I can honestly say the Markbass will be the last amp I will ever own. Now I'm working on a Markbass 210 & 15 cab setup. The Carvin & Hartke will do for now for economic reasons , but I will have that MB setup!! :D

Ditto
 

Markbass II and SD 800 with various cabinets.

I play thru a Genz benz shuttle max 12. Its 6.5 pounds ! I play it thriugh a 4ohm Swr 2x10 cab with Carvin neo speakers. Nice for that medium venue and great as a monitor.

Hi All,
No kidding I have tryed about everything and I decided to build my own rig considering the things I like to a bass rig (pure tube sound at a high quality and db level); So my main amp part is an Ampeg SVT-VR with a Mesa Powerhouse 1200W 4x12" and a slave part, only for powering this setup, which is an Ampeg SVT4 PRO with two boxes Ampeg SVT-410HLF and an Ampeg SVP 1600 with two boxes Ampeg SVT-18E. (all US made of course). This means 2300W RMS of pure and wild Smith sound.:eek:

Btw, the live sound technicians hate me and I have no neighbours, they left town...lol

Best regards

Since my last reply, I've been using a Fender Bassman TV 12. It's smaller and lighter than the SWR, it's retro look fits perfectly with the gigs I'm playing, and (with a Fishman Platinum Pro preamp), the sound is exactly what I need to have.

Genz Benz 12.0 with Aguilar 2x12
 

I recently played through a bass rig with the Shuttle 12.0 and 2x12 Aguilar. Wow! This amp really fills up a space nicely and not too big.

Eden and Epifani works for me
 

I've been using an Eden WT800C with an Epifani UL2 4x10 for the last couple of years since getting back into playing professionally. This setup works very well for me and I've been very happy. In the Early 90's I used SWR equipment and it was great stuff and actually helped my playing quite a lot because the amps and cabinets were so clean that I could suddenly hear EVERYTHING I was doing. Before then I was used to playing through junk which was essentially hiding some bad faults. So, the SWR equipment was great for my playing but I find that the Eden amp is a bit warmer which I like a lot and it's just as clean and punchy as the SWR stuff. I can generally leave the EQ settings quite flat on the amp and can simply dial in many different sounds using my Smith bass EQ controls and varying the the way I pluck the strings by either shifting the location of my right hand or changing the the angle of attack or changing the strength of the attack or putting more or less meat of the finger into the attack or combinations of all the above.
The Epifani cabinet has a great smooth sound in all frequencies and for me it really shows off the beautiful sound of the Smith very well, at least to the best of my fingers abilities to make it sound as good as it can. I have another 4x10 cabinet of the same power rating as a backup cabinet although I don't like to have to play through it because the sound is not nearly as lively as the Epifani. It's more dull sounding and the highs and mids more harsh sounding to me. I'm open to trying other amplification equipment out there but there isn't much in my area in stock to try.

WW Electracoustic Ultra
2 1x12 Bergantino Cabs

and sometimes i pull out the big daddy SWR Megoliath that normally just sits in the music room in my house..

I currenty using a Markbass 112 combo with a GK 112 Ext. cab for gigs. At church I'm using a MAckie1400i poweramp with a Dr.Bass 310 cab which really sound awesome.

I have been trying to find an amp to replace my Eden stuff, but nothing out there right now sounds good to me.

Why?
 

Why? What is your current Eden set-up (i.e. which amp and which cabinet)?

My rig consists of :

Ampeg classic tubes head
Ampeg 8x10 cab
Avalon U5
Boss GT10B effect

At home and for small gigs

Markbass jeff berlin combo.

SWR Headlite
SWR Amplite
Eden D210XST 8
Eden VSeries210 8
Boss Effects Pedalboard

Old standby

SWR original Redhead
Alesis Quadraverb rackmount
Ampeg single 15 extension cabinet

Carvin. No, don't laugh -- really! It's great! I've been playing Carvin since @ 1993 when I was single and had all the cash to get whatever I wanted, and after trying literally everything out there, what worked best for me was a PB300 head through a variety of cabs over the years with Carvin drivers, and an SWR Triad cab for most of that time.

Fast forward to present: needed to get rid of the weight of the cab and get a rig I can run both EB & DB through. And now, with wife & son, limited budget, of course.

Where to go: back to Carvin. Their new MB12 with a 1X12 + 1X6.5 + tweeter is the most neutral sounding amp I have ever played through. Just plug in and go, with minimal tweaking necessary. When I need that bottom 1/2 octave, I put it on top of a homemade ported 1X15 loaded with - you guessed it - a Carvin driver from @ 15 years ago that I used to use with the PB300. For price/performance, it beats all of the better known names and the "boutique" amps hands down.

Everyone on both the EB and DB side of the bands I play in are all really impressed with its clarity, tone and presence. For me, it is very easy to use, intuitive, has the best usable contour curve I've ever used that really brings out the character of instruments, not just some engineer's idea of slap tone, and very versatile, with two parametrics. It also has all the features we've all come to expect from an amp, including onboard compression and a really clean and quiet XLR line out. No, it doesn't have an fx loop, but I've never used one on bass, anyway.

Save yourself several hundred dollars on your next amp purchase and look into an MB12.

Nah, some of the Carvin stuff ain't that bad. Got a couple
of friends of mine running the power amps for PA use.
Pretty reliable. I know how it goes with family and such.
Getting my dream bass is 25+ years in the making. Still
saving up for it. LOL

Since I just recently acquired CR5, heres a pic of my rig. My 2 Fearful cabs, and a LMII. I want to replace the LM with a pre/power amp setup to utilize the headroom I can get with these cabs. Plus I get a little distortion in the mids from that amp. The cabs are awesome with this bass, I highly recommend. They are very clear and articulate, perfect for the Ken Smith. A guy on Squawkbass designed them, and posted the plans for everyone to share, then he started his own forum site, with all the info. They are designed for the Eminnence 3015LF and 3012LF woofers, and utilize a 6" mid driver to cover everything above 700hz(don't quote me on that), plus you can add a high freq driver to get sizzle. They are LOUD, and light with the 15/6 weighing about 52lbs and the 12/6/1 about 10 pounds lighter. Anyway, I use this setup in a gigging cover band, but hope to break into the local jazz/funk scene eventually.

https://lh6.googleusercontent.com/-S...s512/Image.jpg

Epifani
 

I play out of Epifani there the best and you can see them or purchse them at basssouthwest.com

Head :
EBS XD 750 Fafner II

cabs:
Hevos Powerset (2x10 + 1x15)
Hevos is a Dutch company. They design and build High Tech Amps and cabs!

Smith top....
 

Nice rig.

Wow....noticed the Smith top. Rare but great looking top on your Smith. What top wood is that? Looks like and reminds me of the Flamed Redwood that was used on the 20th. Ann. Models.

That is correct Tim! It's a KSA-5 20th anniversary in Flamed redwood!
its a Wonderfull bass! :-)

Dirk

eden navigator
 

Has anyone here used an Eden navigator wp100 with their smith bass ?
I've been offered one & I have a behringer ep4000 power amp that I could use with it through an Eden 4x10 xlt cab,
I'm just wondering what kind of tone the nav would produce compared with my trace Elliot ah600smx,

Navigator
 

Yes. :D

If you have a chance to pick up an Eden Navigator, I'd encourage you to grab it! You'll never need another pre-amp. The Navigator is awesome and the features are endless. And with your Eden 410XLT combined with a quality power-amp driving it; you should be VERY happy with that set-up.

Comparison?
 

Sorry, I can't provide a comparison of your Behringer or Trace Elliot gear. Again, a quality amp is VERY important ;). Just make sure you know what you are pushing into your 410XLT cabinet :eek:!

410xlt
 

Is your 410XLT an 8 or 4 ohm cabinet?

Thanks for that Tim, my cab is 8ohm, I sometimes run two of these cabs & my trace head will only run down to 4 ohms hence two 8ohm cabs, will the impedance make a difference Tim?

You will get way more coverage with 2 x 8 ohm cabinets as opposed to one (for sure). Whether you need 1 or 2 cabinets can only be determined by you and the area you are trying to cover (with or w/o FOH support).

My concern was more you being aware of your cabinets rating and power handling ability. The D410XLT(8) is rated to handle 700W. If, for example, you have a quality power amp that can pump out, say, 1000W or more at 8 ohms, you really need to be careful as to not overpower and damage your speakers: In this case, you'd have to trust your ears that your cabinet was not being over-powered. Make sense?