I remember Paul Ellison saying on a master class that Bel Canto was the best thing ever to happen to the E-string... I am under the impression that a fairly large number of players share his view there. That said, I think Ken is right that Flatchrome might be the best match. But, I play Eudoxa down there and Flatchrome on the top strings, and I have to say you adapt quickly to different types of strings. And yes, the Perm could be a wise choice as well. If you want the E to ring a bit more, I think you won't be too unhappy. I had a similar problem with Flexocor (only this was the solo 92's) and once I switched to a Permanent solo set, the bass totally came alive; the volume produced was truly tinnitus-inducing and the tubbiness down low had gotten way better. There are mixed feelings on the Perms in the double bass community, though...
|