Quote:
Originally Posted by Ken Smith
When people try my basses here at 4-5mm, they ask me to raise it for them. My Martini is about 4mm and a tight feeling bass as far as the tension goes. If it was not as tight, 5mm would work better. With Flexocor or BelCantos, 4mm is fine for me but with Evah's, 5mm works better. These being the lowest possible heights for playing softly. For digging in, they need to be higher and my FB camber/curve is nearly flat. My Gilkes (Jilkes) has a bigger camber just due to the wood settling itself in the neck and FB and is usually tight as well. That Bass plays better slightly higher than the Martini. Go figure..
Arnold (above) has worked on both of these basses and has seen many many top pros play on them in his shop. He can go into better detail as far as the various heights here and there vs the playability soft thru heavy playing.
Now, if you just bought some old German shop bass with a long Eb neck and a thinned fingerboard I could understand you having problems due to the bass being out of repair set-up wise but, I am under the impression here that you have a brand new handmade bass. In my opinion, we should not be having this discussion. It is no rocket science to get a bass to play fairly well especially if it just left the makers hands. Did someone mess with the bass since it was made or has been fiddled with over and over by someone else who is not qualified to be doing so?
I have to say that between strings and set-up issues, you have been on at least 2 forums 'hunting' for answers way more than you did about the actual build of the bass before hand.
Please fill us in on how you got to this point and condition of bass IF we are talking about the new one you just had made.
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Same bass. It came with these string heights from the maker. I also put in about 2 years of research as to what I exactly wanted, and I got that, apart from the fingerboard camber issues. I'm honestly just looking for advice. You guys are used to playing great basses, so all I want are answers.