View Single Post
  #15  
Old 09-13-2011, 07:49 AM
Ken Smith's Avatar
Ken Smith Ken Smith is offline
Bassist, Luthier & Admin
 
Join Date: 01-18-2007
Location: Perkasie, PA
Posts: 4,852
Ken Smith is on a distinguished road
Cool string-to-body distance

Quote:
Originally Posted by Ronen Tat View Post
Reviving this thread to make a point regarding the action issue.
To my observation, the main difference between bolt-on and neck-through is the string-to-body distance. With BO's, there's a limitation on how deep the neck can be set into the neck pocket - unless you don't mind ending up with a 3" body. This limitation doesn't exist with NT basses.
However, while the fingerboard on NT's mounts flash on the body surface the bridge might be too high. This is compensated by creating an angle between the body and neck. Take a look down the fingerboard, headstock to body. Notice the body face surface in relation to the fingerboard surface (assume it's flat for that matter). Both my NT Ken Smith's have this angle taken into account which allows for great low action all the way - bridge to nut.

BTW, with many mass production bolt-on instruments, when you want to lower the strings, the saddles are already all the way down. The solution (poor but works) is shimming the neck - lifting its base from within the neck pocket, thus increasing the body/neck angle. This improves string/fingerboard distance and also has a little effect on string/body distance. Poor, because less contact between neck and body now.

Hope it makes sense.
While the string-to-body distance is different at the end of the fingerboard, the two models are 'pitched' differently but end up at the same height at the bridge. The NT is pitched about 3 degrees and the BO about 1 degree. This makes them meet at the same height at the bridge.

I believe that two styles feel as different from the Neck pitch as they do from the BO or NT build method in itself.

We have made in the past set-neck models and a few non-pitched Neck-Thrus for testing. I think the Pitched method in either BO or NT performs better than non pitched.

How much room needed under the string at the end of the Fingerboard is a matter of taste. Everyone has their own playing style, likes and dis-likes. Many people however also adapt to new things they have never tried as well. Altering ones technique to play a different design is quite common.
Reply With Quote