Quote:
Originally Posted by Greg Clinkingbeard
David,
http://www.amazon.com/Einstein-Life-...1002971&sr=1-1
Your theory reminds me of this fabulous book. You might enjoy it.
It's not that I doubt the validity of your ideas; just that they seem to be so theoretical as to have no possible application to anyone I can think of.
Personally, I've got enough to think about just concentrating on my playing. 
BTW, Einstein was ridiculed mercilessly early in his career. The fact that people may not want to listen shouldn't discourage you.  |
Well, I don't think I can claim thermodynamics as "my theory" but when you see one of those bumper stickers that says "Honk, if you passed P Chem!", I'm one of the people who can honk. The connection between vibration, heat and the wood chemistry was just something that occurred to me as I was re-reading this thread while stirring some sugar into hot coffee. I probably should have pointed the coffee out as an example, but I kind of ran past that part (too much caffeine), but that is a good illustration of heat and agitation. Developing film (agitation every 30 seconds, tight control of the temperature because it will not develop colder than 60 degrees and will badly overdevelop above 75 degrees, and the agitation is necessary to freshen up the reactants in the gelatin layer) is another. And not unlike the hemi-cellulose / cellulose in wood, the film fixer will attack the silver image when it is done dissolving the unexposed silver salts, so that has to be carefully timed also. Well, it's just a laboratory recipe really. Just like cooking to me. What can I say? I plead guilty to being a chemist nerd. What's that got to do with music you might ask? Well a violinist and a pianist invented Kodachrome. Couple of Einsteins there for sure. They knew enough about harmony to apply it to light. It was a 14 step chemical process. Still the most permanent color film process there is, or was maybe. Digital is taking over. I think it is only processed in Switzerland now.
Thanks for the link, Clink. Almost all the nerds get flack at some point. Usually doesn't slow us down. Right now I'm building an off-the-grid studio in the middle of a major metropolitan city to illustrate that all we need for energy is the sun. Well, it better be enough because it is all we really have.
Of course the
previous mayor of Atlanta (he should be about half-way through his federal jail sentence about now) would have denied my building permit because his cronies wanted to force me to sell my properties to them cheap. So I had to wait for that @#$%! to be out of office before I could proceed. That one was a real exercise in thermodynamics;- the building design I mean. I'm using vacuum tube heat collectors that work in temperatures well below freezing and even on cloudy days. The entire roof is a translucent polycarbonate skylight. It will use a subfloor hydronic tube radiant heat system. Passive cooling is provided by a couple of 150 year old oak trees that shade the whole site, if these survive the current drought. If it ever rains again in Georgia (we are beginning to wonder) all the roof water will be collected for household use. In a normal year that will provide 46 gallons / day. The vacuum tube heat collector technology is 30 years old, and pretty well proven by now. It is not too expensive to do it all either. Definitely better than burning the midnight oil. I guess it has put me in this mode of ****yzing everything in terms of heat loss and gain. I'll be glad when it is finished.