Quote:
Originally Posted by Matthew Tucker
I heard Toronto bassist Andrew Downing last week in a small club. He played a german/czech bass tuned in fifths. He played solidly, at a variety of speeds, in tune all the way. Great player.
I don't understand how intonation should be any more of a problem than tuned in fourths? surely it depends what you are trying to play. In fifths, you play 10ths across three strings in the shape we would normally play octaves. In fact, probably a better way to get an in-tune 10th than spanning 4 strings like we do?
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I can see 10ths for Jazz playing but the Bow doesn't bend that way..lol
Try playing some of the Beethoven parts or even Mozart. At that point you are working twice as hard as the Cellos. Longer and thicker strings with a bigger body and heavier bow. Jumping octaves with the Bow would actually be more awkward I think especially for the left hand.
In Jazz, you can play any note you like moving the line around. In Classical, you can't. It is 'Jail' as far as that is concerned. A Bass tuned in 5ths to Low C is just another method of avoiding playing a 5-string Bass. I think!