Thread: Endpin talk...
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Old 08-06-2007, 11:45 AM
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David Powell David Powell is offline
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Well, I haven't done much experimenting with different types of endpins. I'm still trying to figure out where I want the thing let out to (solid steel pin currently). I'm at least down to about an inch of length between two detente positions and I go back and forth with that. My right hand likes one position and my left the other. I think if I always played arco, it would stay in one place and if I always played pizz it would be in the other. So maybe I should just get a custom pin made that splits the difference?

I do think KC strings reported some block problems with the Laborie style pin on a TB thread. As far as the separated attachment of the tail gut and pin, the first bass I saw this on was a very innovative bass that I thought was made by a maker named Hamm. But now I can find nothing on the web about that bass. I think I might have some photos on my old PC, but anyway the pin and tail gut were among a few other things done differently. The neck angle was adjustable. Does anyone remember that DB? It was kind of angular at the scroll, had unusual sort of art deco looking f's. I want to say the maker was Charles Hamm, but Google shows nothing. Anyway it is interesting to learn that this is not a new idea, seaparating the endpin hole from the tailgut stay.

The wooden pin idea sounds interesting to me, but when we get to a rubber foot, I kind of wonder if any differences are going to go beyond that piece of rubber. I use soft rubber shock mounts for microphones and these are very effective dampers of sound transmission. Practical experience respected, I don't see how the pin material could do much to increase transmission of the sound to the floor if there is a rubber tip on it. The most experienced band leader I work with isolates almost all of the amps and cabinets with soft rubber pads like those that one would find in a high foot traffic area. He claims that everything (cabinets and electronics racks) benefits from isolation. It is obvious why microphones need this, but perhaps other components benefit as well?

As far as flooring, I have noticed that carpet just kills sound in general, although I don't know about the casters vs. rubber feet phenomenon because I have just not tried a cabinet both ways.
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