Thread: Endpin talk...
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Old 08-06-2007, 03:17 PM
Brian Ross
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Default endpin various and sundry

Quote:
Originally Posted by David Powell View Post
I do think KC strings reported some block problems with the Laborie style pin on a TB thread. As far as the separated attachment of the tail gut and pin, the first bass I saw this on was a very innovative bass that I thought was made by a maker named Hamm. But now I can find nothing on the web about that bass. I think I might have some photos on my old PC, but anyway the pin and tail gut were among a few other things done differently. The neck angle was adjustable. Does anyone remember that DB? It was kind of angular at the scroll, had unusual sort of art deco looking f's. I want to say the maker was Charles Hamm, but Google shows nothing. Anyway it is interesting to learn that this is not a new idea, seaparating the endpin hole from the tailgut stay.

The wooden pin idea sounds interesting to me, but when we get to a rubber foot, I kind of wonder if any differences are going to go beyond that piece of rubber. I use soft rubber shock mounts for microphones and these are very effective dampers of sound transmission. Practical experience respected, I don't see how the pin material could do much to increase transmission of the sound to the floor if there is a rubber tip on it.
I saw that about the Laborie endpin on TB as well, but they didn't give any examples of it actually happening, just said that it was possible on cheaply made basses.

That luthier's name is James Hamm - he made the bass that Karr played for several years (although I understand not any more). His basses are very interesting.

As for the rubber on the floor issue, I have no idea why but I can definitely hear the difference between the carbon fiber end pin and the wooden one even though both have rubber balls on the end. I was shocked at the difference when I first heard it.
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