Quote:
Originally Posted by Matthew Tucker
A canted fingerboard is one that is not exactly parallel with the top, in this case you would thin the bass side of the fingerboard, so that the fingerboard is actually rotated ("canted") towards you slightly. This has the effect of raising the surface under the G string relative to the E side, making it easier to play in TP. I suppose you could set the whole neck at a slight angle as well, but that may look odd unless the whole bass is designed that way. Hmmmmmmmmmmm ...
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Ok Matt, after posting I see that I have left out some important stuff.
Canting/Tilting the Neck towards the E is a bad idea. We have to Bow these Basses and with wide center bouts a parallel setting is needed. If not, the Bow will not clear the lower E-side Bout without an extra high Bridge to compensate. To do that, the Overstand needs to be pushed out and that's reverse engineering in my book.
Thinning a FB is also not good because it can weaken the Neck and cause it to bend over time needing dressing after dressing after dressing until you need a new FB again.
I learned the Dragonetti on two big Basses with fairly high shoulders. My old Italian and my Cello model Bernadel which had some slope but wide upper bouts and deep ribs. I am no stranger to 'reaching over' a big Bass.