Quote:
Originally Posted by Jon Greenwald
How would you describe the difference with the feel and tone compared to ebony?
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Personally, and without hesitation, I'll take an ebony fretboard over Pau-ferro always. Nothing against a Pau-ferro fingerboard; it's just not for my ear. I have a couple sets of older Smiths (identical models), two with the Pau-ferro and two with ebony (again, identical models). While they serve their purpose, there is a difference to my ear as the Pau-ferro fingerboard sounds warmer/softer up and down the neck. I love what ebony contributes: From the fundamental and harmonic, to the tightness in the lows, mids, and highs, up and down the neck. I can't give that same endorsement with the Pau-ferro.
As far as feel? I wouldn't say I "feel" a difference as the neck dimensions are the same, just a different fretboard wood used. I prefer a neck with a Satin finish over lacquered, but I'll use either as long I am achieving the sound I am seeking.
While this is my opinion and everyone has their own, and everyone has that tone they are seeking (developed/matured ear or not), I would suggest you try it for yourself, but my recommendation is to go with the ebony fretboard (gaboon ebony if you can get it).