Quote:
Originally Posted by David Powell
It is definitely similar to the Barbe basses Ken, but not the f's. It is also a bit stouter to my eye. The Barbe basses look narrower. The French maker in England or English maker in France does seem plausible. I was trying to think of why a French maker might wind up in England and then I remembered "A Tale of Two Cities". If the bass is from the late 18th century, the maker may have been a noble expatriate. I have no idea how one could get beyond the theory to a list of noble expatriates, but the French royalty must have had luthiers in employ if not in the royal family. Those were strange times for many of the French bourgeoisie. Many did leave France if they were affiliated with the royals. Perhaps the maker was wealthy and successful and felt the need to vacate. Do you think that was the period that the bass might have been made?
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Folks, there is very clear and documented history in the early/mid 19th century of several French Luthiers working and moving to England but very few moving 'to' France. I will try to list a few for this reference only but this Bass may easily date from an earlier period. It will show however the movement between the two countries.
Here is a short list of the French working in or moving to England;
G.A. Chanot III from Paris (and the Chanot family of makers. 7 listed in my records into the 20th century.)
Chas. Boullangier (worked for Edward Withers)
Chas. Maucotel (worked for Edward Withers)
Vincent Panormo of Italian dissent worked in Paris and then settled in London. He was back and forth a few times Paris-Dublin-London-Paris-London until he finally just stayed in London.
Bernhard Fendt Sr. was apprenticed to his uncle Francois Fent (French spelling) and remained in Paris until sometime after his death and in 1798 moved to London. The Fendts became one of the best family of makers London had ever seen ranking with makers like the Lott's (Lott Sr. trained by Fendt), Panormo's, Hill's, Forster's, Gilkes, Kennedy's and maybe a few more.
England to France;
The 2 sons of George Withers trained in Mirecourt and returned to work in Soho.
George Hart (I and/or II, son and grandson of John Hart), trained in Mirecourt and employed both French and English workman at 'Hart & Sons'.
'Jack' Lott (J.F. Lott jr.) was a good friend of J.B. Vuillaume and went back and forth for dealings in Paris and was Vuillaume's personal translator whenever he would visit London as he also spoke fluent French.
Paris and London were the two main centers for old Italian Violins in the world. John Hart of London and George Chanot I of Paris were the two best judges of old Italian fiddles in the early/mid 19th century. George Hart would follow in his fathers footsteps.
In some of my Books of British makers, the Frenchmen are not listed at all but rather mentioned only briefly under the Names/Shops they worked in. If I find any more names, I will add them to the list as well as any additional information of interest about the names already listed that worked in both England and France.