Sounds like a reasonable theory, and easy to test. So do we suppose Sacconi removed the bass bars of dozens of strads to develop this experience? But why with no bass bar? And so if Strad chose to put his notches at the N-S balance point, how did he come up with length, width, shape, angle? Is the balance point observation a convenient rule of thumb or is there an underlying functional factor?
Or did Strad cut his FFs the way he liked them to look, then graduate his tops so that they balance across the FF notches?
Well it still sounds neat, so maybe I'll do that measurement on a top next time I have one off. How does your cornerless bass rate in that dimension, Ken? Is the top still off? Can you measure it?
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