Bob,
Correct me if I am wrong, but isn't the afterlength tuning important in the fight against wolfs, or it can at least mimic a "true wolf" when the afterlength is vibrating at a sympathetic frequency?
For instance, if your A string is hard to start, check all the afterlength and see if one of them is an A or very close to it. If so, put a wolf tone eliminator on to "correct" that pitch?
This concept was passed on to me by a luthier I worked with in the past, and I figured with your AO/BO expertise you could shed some light? Plus this would affect the tail length to shoot for.
I have heard that we should try to tune an octave and a fifth higher than the open string, but obviously that would be hard with a compensated tailpiece...
What are your thoughts? Or Arnold, Jeff, Ken?
Thanks,
Brian
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