Quote:
Originally Posted by Ken Smith
Don't play that bass outdoors. It will get ruined easily. It i a real bass made to be played in a Symphony hall. I had a couple up to my shop a year ago and traded one of these kinds of basses for an old Kay that someone was trying to unload. I paid them the difference and bought the Kay to trade in the deal. They came up from the south as well.
That bass, considered to be a Morelli brand full sized orchestra bass was sold to a dealer and then fitted up for a Symphony player. That's where these kinds of basses belong.
Regardless of the intended brand, shop, maker or size of the bass, this is a carved bass that is sensitive to weather and humidity changes. Unlike your Kay basses that can be tossed around, the more you damage the original finish, the wood, edges or what have you, you will be decreasing its value each step of the way. Repairs have to done only by a qualified Violin trained Bass Luthier. If done poorly, re-repairing is 2-3x the cost to un-do and re-do and each time, loosing value as well if these repairs are visible.
Call me if you want to sell the bass and get something more suitable for the venue you would use a bass in. In the mean time, be careful not to slap the bass or scratch the original varnish off in any way. Do not do tricks with this bass or attempt to stand on it either.  |
Perhaps I should tell you a bit more about myself. I spent my life as a university acoustics researcher -- my Ph.D. is from MIT and when I retired I was a chaired professor at Georgia Tech.
My wife and I have collected and studied vintage American acoustic instruments for 40+ years -- we have a couple of hundred. If this turned out to be a $10K instruments as some have suggested (not me), it would be one of the least valuable instruments we own -- we have several that are ten times that much. All of our living spaces are totally temperature and humidity controlled, and our transport (truck) and travel (RV) vehicles are too. Our RV has a separate externally accessible compartment just for the transport and protection of our instruments. All the things you say about that bass are also true in spades for our old, high end guitars, mandolins, and mandocellos -- which are much more valuable.
We do all this so they can be used -- when conditions allow -- to make music where the music is made. We know everyone has passion for their own musical genres, but ours essentially never occurs in symphony halls. To each his own.
I am always interested in what people have to say, and I appreciate your input. But I am really trying to research the history of the instrument -- can you give me something more there?
Thanks again,
-Tom