Quote:
Originally Posted by David Powell
Well, I'm afraid I've become a 5-er guy for life. I'll just have to put up with the infrequent unintended double stops. I'd really miss the low string and the way it plays just like all the others. Theres just nothing like dropping down that extra octave to C or D or B or even the Eb in the jazz ensembles. I don't know if I would ever go to more than 5, but 5 seems more and more comfortable now that I'm using them on all the basses. I do think it would be quite confusing trying to switch back and forth unless I just spent all day everyday switching basses. Back to practice .....
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I hear you loud and clear about the double stops. That was a major problem for me and sometimes just a single stop but missing by a string..
Last night I took out one of my Excerpt Books and tried one of the Brandenbergs' using a 4-str w/Ext. It was much easier playing it with only 4 strings and the open 'C' but when I had to quickly hit a D or Eb and jump into a run a string or two up it wasn't so easy. Hitting a shorter sounding quarter note or eighth is not so bad jumping back on the extension but missing the string entirely and playing a completely wrong note is much worse I think.
Now I am working on the Storm parts with a CD to play it up to speed. Again, when not playing below the E, I don't have that 'B' pushing the other strings further away from me of have confusion of which string I'm on or the occasional Dbl Stop mistake.
Also, I've done a few Jazz gigs and playing some Lows on the Extension when wanted is much easier then playing them when written!