Quote:
Originally Posted by Martin Sheridan
I had read that the Busetto cornered Prescott basses were a copy of a Klotz. The Klotz family continued generation after generation. I think I remember seeing a Klotz violin from the early 20th century. Some think the first Klotz studied in Cremona with Amati.
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Yes Martin,
think! It is written that he (the first Klotz maker) studied with
someone (I will have to go back and find the name) in Italy that came from Fussen I believe. On the word or name 'Busetto' itself, this I find it hard to swallow. In the Elgar book he doesn't call it Busetto corners. He calls it 'lower rounded corners'. It was later I believe that some bass was named after the maker Giovanni Maria del Busetto. Busetto being a town in Italy. From reading about
that maker I see no reason to believe he ever made a Double Bass much less that German looking one named after him that is either in Japan or Berlin. That bass has the form of early Mittenwald basses. The Bat wing FFs are Central European as well, not Italian. If that bass looks Italian in workmanship internally then maybe it's because the early Klotz maker Mathias trained in Italy. This is confirmed Klotz instrument here;
http://www.myeasybass.com/publications/p_klotz.html
When looking at the work of del Busetto, what little has been found it seems way to early in time to be anything like that big bat winged F hole bass they named after him. Now what we have is confusion. Maybe started by the dealers as far as who made what or trained with whom including Stainer and the term 'Busetto corner'. What a mess!!
