Quote:
Originally Posted by Arnold Schnitzer
... but after 22 successful basses, I have a way of doing things that works for me. ...
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Arnold, I thought it important at least from my point of view to bring up the subject of experience gained from working on and restoring old classic basses from the Italian, French, English, German and other schools that might be guiding you towards or away from some of the things you do in making your own bass.
So, what are these things that you go for and stay away from. Also, besides the generic factory basses of the last century, can you estimate the number of Symphony grade classics you have worked on in the last say, 20 years?