Quote:
Originally Posted by Sam Sherry
That chart is cool for sure. I love the Deutsche ad-man's copy:
"Less inertia, longer period of musical vibration."
Your average bassist would say, "Fast voice, unparalleled sustain."
"Equally effective when playing arco or pizzicato."
As opposed to what? There are a paucity of other choices beyond "arco or pizzicato" and I shudder to think of Ken's Hart suffering from most of them!
In any event, meandering back toward the topic at hand: Ken, I'm sure you won't forget that if you're headed toward orchestral work on Spiros there's no particular reason to install a new set!
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Well yes but first off, I need a set with no internal damage completely healthy within the windings and second, a set with an Extension E/C string. Third, it is only June now and I wont have a concert till about October, about four months from now.
So, if I put on a brand new set, I have time to break them in.
As far as bright strings so, I tried a set of Solo Orig. Flatchromes on my Storioni one night. Bright but good sounding. Also, yesterday as a pre-test I put some 'brand new' Solo Spiros (red/yellow) on the Marconcini school bass and they are nice as well. Bright they are but I didn't run away from them.