Quote:
Originally Posted by Arnold Schnitzer
I'd put some little violin corners on it so you can pick it up, and also to increase its marketability.  |
That's so strange Arnold. I had a dream that I told you that EXACT thing less than a day/24 hours ago IN PERSON.. Geezz, what a freaking mind reader you are...
What kind of woods should we use for this? I mean, to get close to the sound besides just the archings and measurements we should try and match species and grain widths and densities as close as possible. Right?
As to Arnold's post on the Corner issue, I always had to find a place on the stage to lay the bass down rather then lean the corner on a chair beside my stool as I usually would with any other bass. So at least upper corners were on the menu for this. As far as lower corners, they are not needed for the 'copy' part but for marketability, something small with a shallow block inside would be the least interruptve as far as vibrations go.