Quote:
Originally Posted by Martin Sheridan
Stradivari and before him, the Amati, had definite ideas about F hole placement. [...] This was almost always ahered to, .
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But do we know whether his ideas were based on an aesthetic design principle that happened to work OK, so he stuck with it ... or whether he tried dozens of different sizes and placements (keeping all other things equal, of course) until he found the BEST one? I tend to think the former is more likely. We don't have any evidence of strads with experimental FF hole placement, do we?
In relation to basses, there are SO MANY variations in corpus volume, plate shape, string length, top graduation, internal bracing, rib depth, wood choice etc that I can't see how any of the placement rules Strad used could apply just like that.
In fact if there was an optimum FF placing and size for a bass, you'd think that someone would have found it by now!
Actually that's what I love about basses. The lack of a formula.