Quote:
Originally Posted by Katie Long
Just my input - we just did Strauss Also Sprach at the RCM. We hired in 5 strings for those of us with no scaffolding and Paul Ellison's opinion seemed to be that the 5ers were much better. The extensions though they have their merits require reaching back behind your head (so you need to find a way of doing it without knackering your shoulders and back) where the 5ers just mean another string to deal with, plus there were some serious extraneous noises coming from the extension desks. Also, make sure your extension keys are in tune if you have themm, as some of ours weren't!
Low notes are a really good thing, but if you are going to get it extended (!) then make sure you get a good one fitted, don't cut any corners because the rattling etc is not a good thing and not something that any player wants in their section. 5ers for me have the edge because you can just put your hand across in position and there it is. Plus the B is very nice. Not that I would have one for normal use as they are very hard work.
I was talking to someone today and over here in the UK the players with extensions tend to get more work especially in contemporary music things...
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Scaffolding?
.. Katie, that's a very colorful way of putting it. Here in the states the Chromatic Extension like on my Basses is becoming the favorite. I did the Storm 16ths on it and it was a workout but I pulled it off. Two advantages over the 5er I see is that the Longer String length used on the
'scaffolding' has a nicer tone than the response than the shorter 'B' and also the thinner E/C string responds better and quicker with the Bow. The other advantage I see is that the 'B' is not there in your way on the
'scaffolding' when it's not needed. Musically speaking I can see how the 'B' can be better at times but most of the music is easily played up on the
scaffolding.