Talk of Fakes (or Antiqued newer Basses) came up......

[Matthew Heintz]

Originally Posted by Ken McKay

Here is something odd to me. Look at the contrast in work on the same bass. The corner work is first class showing a superb bee-sting, yet the f-fluting looks as if the maker didn't know how to sharpen a gouge or plane.

Educate me. I'm ignorant. What exactly are ya'll seeing in the f-fluting?