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But, if you come here, we can discuss it. To go into slight detail, you are shopping shortsighted at the least. Also, your price range limits you to shop-made basses in the carved design and some of them can cost a fortune to properly restore if they are older or neglected with old and common damages. But, I happen to have a mid 20th century German bass here that would fit your needs and price that is in very healthy condition. I was going to have some work done on it with the set-up before putting it on the market. As far as the names you mentioned in your first post, I would rather not discuss any negativity on-line. I have however seen two Solano's in the Orchestras I play in and they were nice for the money. Romano is Italian and a professional player as well. His basses vary in model and materials a great deal. One reason I was told by one owner was that he will make a bass of most any model and at a price the buyer can afford or something like that. So, you will find variation in that regard. I have also 2 carved Romanian basses here that are new, never owned and I have also sold many of these from this shop. Never ever had a problem with them and they are in your budget. As far as your busetto (lower rounded corners) mention, that is merely a decoration and not a feature in which to shop for. I have a 1970 Busetto Pollmann at home that I practice on. Near mint condition but, way out of your current shopping range. This is a very fine handmade bass with a sound so match. It is the 2nd I have owned. This a 3/4 and by date it's from the father (Gunther) and the last one I had a 7/8ths by the elder son (Michael). On the bent endpin thing, Gary Karr never needed one nor did anyone else till recently. Every bass I get in with that extra hole, I plug up. By the way, that German bass I have here, has that hole drilled so if you get here before it goes into set-up, you can keep the hole. Otherwise I'm gonna plug it up. It make the bass down-fire and loose sound. I've done a test so it's not just a theory. |
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