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#1
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![]() I saw earlier the masterful Scroll that Jeff made to fit the 'headless' Bass. I didn't really know Jeff in person back then. When I finally saw it on the other website a year or so later I ran back to Jeff's web and realized that my eyes were not tricking me. It was the same exact Scroll and Bass.
Now, I never saw that Bass in person or the new antiqued Scroll that Jeff made for it. The dealer however that was brokering the Bass did. When I discussed the Bass with Jeff afterwards, he mentioned something that he did that only he and whomever that would examine the Scroll close up would know or find. Many old Basses from Italy and England often have 'worm' damage. Jeff thought it a good idea to fake some worm holes to make the Scroll more convincing. What he also did was to use a small rattail file to 'dress' the inside of the holes (or something like that but Jeff can correct me). The Rattail file will leave some small file marks 'inside' the worm holes. A close probably magnified inspection would reveal that the worm holes were man-made, not worm-made. That was the ingenious but I would say 'honest' effort Jeff put forth. Those file marks could have been smoothed out and/or distorted to hide the man-made fact and make the Scroll even more convincing even if closely inspected. Like all the rest of the Scams in the world today we see daily. The Basses as Jeff describes are on the 'menu' for those that want to play that game. The Bisiach that Jeff mentioned was according to him, a well made Bass and not something you see made everyday. I recently played a later 1946 Martini Bass and I would say that the Bisiach was actually a better sounding and playing Bass. The Martini however being authentic is worth twice the price. My Martini being maybe the oldest example of a Bass from that maker far exceeds the latter Bass as well in performance as well as value. I was happy to have the chance to see and compare an early and late Bass from the same Italian maker. Mine was made just after WWI and the other just after WWII. You can't say that every day of the week now can you? I bought the Martini from an Italian Dealer as I did the Bisiach as well. One was really Italian and one was really not but was a great Bass regardless. Many of the actual fakes (not just antiqued Gypsy Basses) we have seen have been pretty good Basses. One authority mentioned to me that these Basses if properly labeled would fetch the going rate as many of the better handmade Basses made honestly like those we have seen from makers like Jeff, Arnold, Nick and others. Antiquing a Bass as well as some of them are is no easy task. You might as well do it on a good Bass to make the effort pay off. No one wants a junk Bass just because it looks old. Good is good, antiqued or not. First come the Bass after all. I have seen (and owned) quite a few antiqued Basses now. Some of them were antiqued to add some old flavor character and some were done up to deceive. The wood inside the deceptive Gypsy Basses are often Acid-washed internally over the fresh new wood. This makes it look naturally oxidized until you scrape some wood away or remove a patch or piece of lining. Then you see this bleach white colored wood revealed like it was cut yesterday. If the Bass is older, then the bright color will fade but the Acid might actually protect the wood or rather prevent it from natural oxidation. |
#2
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![]() I saw Jeff's scroll too, and I will say that it could have fooled nearly anyone!
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#3
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![]() Ken, Look here on Maestronet forum, look familiar? http://www.maestronet.com/forum/inde...owtopic=319224
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#4
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#5
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![]() I believe this is the same cello (located in Hungary).
http://www.netinstruments.com/cellos/cello/34740 Leandro died in 1946. Five years before the instrument was supposedly made........... |
#6
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![]() Quote:
Still, the price is more Hungarian than Italian as is the antiqued Cello. Who knows, maybe it sounds better than a real Bisiach Bros. That's a lot of paperwork for one Cello, especially a modern one as the dates or the papers are the same as the Cello. |
#7
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![]() Ok, you Detectives. You have missed the biggest clue here. That is the label. The Bisiach Label, the real one is a normal sized one, not this big 'card' sized one which is the same one as was in my Bass. I have a book of 20th century makers and besides labels that have a section on address (business cards).
The 'label' used in both this Cello and my former Bass is actually the Bros. 'calling card', NOT their label. The carving of the Scroll is typical of Hungarian fakes as seen on a pair of Goffriller's as well (Cello and Bass). This is not the 16th century hand knives of Poplar aged 400 years yet they make the upper turn look as if it was difficult to make smooth. Look for the obvious signs. That makes it easier. You just need to know what those signs are. On the Forum pics of the 3 Scrolls, the one on the left and right have similar markings of an old dull knife. The one in the middle has bad peg bushings. You would expect neater work unless it was done to make it look old. 1951 is not all that old. I don't feel old and I was born in that year as well. I still have MY original Neck.. lol |
#8
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