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#1
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![]() I thought it was strange, too. I know Bottesini is associated mostly with his Testore... (I actually think he had two.)
But, the people I talked to beforehand were positive it was once owned by Bottesini. And I refuse to believe that some fellow bass players would mistake Dragonetti for Bottesini. Plus, isn't Dragonetti's da Salo still i that monastery? Or, maybe he had several? I know the monastery bass was restored in 2007 - it's the one on your photo, right? - but I believe it was returned to the monastery after the restoration. Stupid as I am, I forgot to ask Mr. Styffe about this particular bass' history. It is dated to 1575, though. And it really is a Gasparo da Salo, and is the bass currently insured to the greatest amount of money. Thomas Martin's online Bottesini biography mentions that Bottesini showed great interest in the makings of da Salo... maybe this one had been in Bottesini's possession during a brief period, too. No guts! It is used for solo playing these days... and Styffe is known for having a knack for modern stuff... so, definitely no guts. ![]() And, four strings, converted or original I don't know. |
#2
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![]() Quote:
Also in the Henley book under the instruments he made #13 described as a bass belonged to Bottesini (my bad) of 3-strings. There are 7 DBs described in Henley and one smaller bass Viol. I was not aware of that many d'Salo's. Perhaps some of them have since been disproven, or maybe not. |
#3
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![]() Ah, so my friends were right after all. This particular instrument was bought as an investment by a subdivision of a Norwegian bank, and is now supposed to be played worldwide, I think. This was only its third flight trip I believe, Styffe was a bit concerned that something would happen sometime. He stored it in one of Rabbath Jr's flight cases. I think, if I'm allowed to read between the lines, that he would like to have it stationed somewhere in an orchestra or ensemble, hinting towards four of the Oslo Phil's basses that had gotten quite demolished on tour despite the flight case storage as he was.
My five cent is that it would probably come better to its right in an ensemble. It had this huge, warm, resonant sound which would be a bliss to have backing up a symphony. It didn't project very well - but isn't this typical for old, matured basses? Huge sound that fills the hall with fundament, but too smooth and nice to cut through... it rather backs things up. But as long as the foundation's regulations forces Styffe to take it one the road, I think he is quite happy to do so. It would take quite the veteran not to get excited every time he touches a da Salo. It was in stunning condition, too. It's nice to see an instrument that apparently has been treated with due respect from day one... and this particular day one was a long time ago!! |
#4
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![]() http://cgi.ebay.com/Full-Sized-Violi...QQcmdZViewItem
Is this anything to do with the De salo bass? Looks like a beautiful violin. Too bad I dont play it anymore ![]() |
#5
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![]() Quote:
Wanna see d'Salo? http://www.giopaolomaggini.com/w/en/...ments-on-show/ |
#6
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![]() --- "neck possibly replaced in the 1700s"----
So how old is the bass? Is it even the same company? I bet if the bass sounds superb, the violin must be great too. I thought Stradivarius were expensive. Am I wrong? I guess so. Wish I had access to a bass that was 1/10,000 of the value of Dragonetti's bass. |
#7
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![]() Quote:
A real d'Salo Voilin, Bass, Viola, Cello.. anything from him or Maggini, upwards from $500,000. A Strad Violin, upwards from a Million$$. These instruments do not sell on Ebay and if advertised there, is from a BIG and Famous Violin shop. There are not that many of them. There are probably 10x more Strads than Maggini's and d'Salos combined that have survived or that were made as only half the Strads survive. You ask about the bass and the company? These are People, not companies that made them and that is a Violin on Ebay, not a bass. Quote:
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