Thomastik Bel Canto Strings

[Anselm Hauke]

Originally Posted by Joel Larsson

I did also notice that they were a bit sensitive to bow placement/speed/pressure - and especially to how straight you keep your bow when playing! They were like always having a teacher with you telling you when you aren't playing as you ought to. Kinda liked that.

don´t want to derail this thead, but thats what bowing plain guts did for me - if you can bow them right(bow placement/bowing angle/speed/pressure) , you can bow everything (imho, ymmv) (richard, sorry for the abbreviations; i mean abbr.; at least i did not use any smilies)(until now:)

[Richard Prowse]

Originally Posted by Anselm Hauke

don´t want to derail this thead, but thats what bowing plain guts did for me - if you can bow them right(bow placement/bowing angle/speed/pressure) , you can bow everything (imho, ymmv) (richard, sorry for the abbreviations; i mean abbr.; at least i did not use any smilies)(until now:)

What does 'ymmv' stand for? I hope you didn't just make that one up!
I hear you, Anslem M. Hawkeye - my plan this morning (I have two more days off before I go back to work) is to really examine my bowing.
Oh, and here's one of those silly abbreviations for you...
NCMF.
(Nice chatting, my friend.)
BTW (by the way) E. Joel, I don't really buy into the idea that playing everything by the bridge is the 'be all end all' - I think I prefer that Rabath guy's approach. WDYT?
(What do you think?)

[Joel Larsson]

My problem, dear Anselm, is that the Bels are a little bit more forgiving than plain gut. I'm not good enough for those yet! And then there is that solo playing problem again...

Richard, I don't like playing everything near the bridge either. Rabbath does have one nifty bowing technique. He can open up his instrument like few other. Do you have his DVDs?
(He has gold spun strings from Sonore. Probably cost at least $2,000, no kidding.)
Myself, I don't have anywhere near his control over my instrument, in any department (and I don't have that kind of money either - I mean, come on, if I had gold strings I'd sound good too!!) so I'll just stick to whatever will make me sound better in the long run. Hopefuly.
Saw him (Rabbath) a few weeks ago down in Germany, and despite being 78 years old, he plays like crazy! One remarkable man and musician, that one.

[Richard Prowse]

Originally Posted by E. Joel

My problem, dear Anselm, is that the Bels are a little bit more forgiving than plain gut. I'm not good enough for those yet! And then there is that solo playing problem again...

Richard, I don't like playing everything near the bridge either. Rabbath does have one nifty bowing technique. He can open up his instrument like few other. Do you have his DVDs?
(He has gold spun strings from Sonore. Probably cost at least $2,000, no kidding.)
Myself, I don't have anywhere near his control over my instrument, in any department (and I don't have that kind of money either - I mean, come on, if I had gold strings I'd sound good too!!) so I'll just stick to whatever will make me sound better in the long run. Hopefuly.
Saw him (Rabbath) a few weeks ago down in Germany, and despite being 78 years old, he plays like crazy! One remarkable man and musician, that one.

No, I don't have the DVDs, but watched him on Youtube demonstrating bowing. I'll have to pass on the gold spun strings too. I suspect that good bowing technique makes vastly more difference than some fancy pants string - I'm sure that Rabbath could bow Weichs!

[Joel Larsson]

Yes he can. He made a bit of a point of showing us students how good our instruments could sound if played properly.

[Richard Prowse]

I like the cut of this guy's cloth! (old English retort)

[Richard Prowse]

Ah, i bel canti are feeling so good! I've worked on my bowing lately.
Io amo i bel canti!

[Calvin Marks]

Originally Posted by Joel Larsson

My problem, dear Anselm, is that the Bels are a little bit more forgiving than plain gut. I'm not good enough for those yet! And then there is that solo playing problem again...

Richard, I don't like playing everything near the bridge either. Rabbath does have one nifty bowing technique. He can open up his instrument like few other. Do you have his DVDs?
(He has gold spun strings from Sonore. Probably cost at least $2,000, no kidding.)
Myself, I don't have anywhere near his control over my instrument, in any department (and I don't have that kind of money either - I mean, come on, if I had gold strings I'd sound good too!!) so I'll just stick to whatever will make me sound better in the long run. Hopefuly.
Saw him (Rabbath) a few weeks ago down in Germany, and despite being 78 years old, he plays like crazy! One remarkable man and musician, that one.

On his DVD he says he never uses solo strings because "it makes things easier", yet the Corelli mediums are basically a solo string in gauge and tension. The new Sonores he uses are solo strings tuned down to orchestral pitch...

[Joel Larsson]

I suppose he means that he never plays in solo TUNING. As for his Sonores, I was there when he got a new set of gold-wounds from Arnold Genssler in March. These are custom made for his needs and even if you could theoretically tune them up one note, I strongly doubt that they were produced with the aim to be tuned up. Genssler works very hard to reduce tension, and with the thin gauge I suspect that Rababth uses, solo player as he is, I suppose that means that the specifications may make it seem like a tuned down solo set.

[Calvin Marks]

Originally Posted by Joel Larsson

I suppose he means that he never plays in solo TUNING. As for his Sonores, I was there when he got a new set of gold-wounds from Arnold Genssler in March. These are custom made for his needs and even if you could theoretically tune them up one note, I strongly doubt that they were produced with the aim to be tuned up. Genssler works very hard to reduce tension, and with the thin gauge I suspect that Rababth uses, solo player as he is, I suppose that means that the specifications may make it seem like a tuned down solo set.

I hear ya. I actually asked Gennsler (sp!?) via e-mail about those strings and he mentioned a few "big name" players that use them. He specifically said that Francois' strings are his solo model used at orchestral pitch.

[Joel Larsson]

Ah. Makes total sense, then.
Yes, Genssler's strings are 'the thing', it seems. Makes me look for a cheap and easy way to get to Berlin...

Anyways, on the topic, I've been wondering about the Bel G. It seems to have a bit rougher structure than the other strings, and has worn more on the fingerboard. It sounds great and all, but has anyone else noticed anything like this, or have I played a defect string all this time??

Originally Posted by Joel Larsson

(He has gold spun strings from Sonore. Probably cost at least $2,000, no kidding.)

Just a little info on those Genssler strings... while very far from cheap, the Genssler strings Rabbath uses are far from $2000 - 449 euros, or about USD 645. They're not a specially made model for Francois - they're a standard set that he makes called RED MORGANTE, which Genssler says are the best metal hybrid arco/pizz strings he makes.

[Ken Smith]

Originally Posted by Brian Roessler

Just a little info on those Genssler strings... while very far from cheap, the Genssler strings Rabbath uses are far from $2000 - 449 euros, or about USD 645. They're not a specially made model for Francois - they're a standard set that he makes called RED MORGANTE, which Genssler says are the best metal hybrid arco/pizz strings he makes.

This is a Thread about Belcantos.. ok? If you wanna change the subject, make a new thread. I can easily move some things here over there or better yet, maybe I will just do it later when I find the time..

Originally Posted by Ken Smith

This is a Thread about Belcantos.. ok? If you wanna change the subject, make a new thread. I can easily move some things here over there or better yet, maybe I will just do it later when I find the time..

Sorry. Just wanted to clear up the misinformation in this thread.