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#1
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![]() I hit that note on occasion but with the size of my Basses, the A string looks a lot easier if I'm stuck in the 'Sky' playing across the strings. Unless it's a rapid passage and if it is, who cares about a wolf or two? Aren't they known for hunting in Packs? ![]() Just one Wolf? No Sheep? ![]() |
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#2
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__________________
Tim Bishop |
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#3
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Thanks Calvin and Eric for your thoughts.
Kenny Boy, Down here (NZ) we use all the notes on the bass. I was practising minor arpeggios when I found that mean ol' wolf. I hadn't gone out of my way to find it, I just needed it at that time. (My old plywood does a similar thing on the A string Ab and, yes, I can do without it - after all, it's only one note.) I was also playing notes around it - F, F sharp, G, A and they sounded fine. I actually use the E, F & G quite a lot, but not the A or above - although I sometimes play those high harmonics on the E string. Hey Ken and Tim, I really enjoyed the wolf jokes! Who would have thought to compare a funny note to a mean ol' critter? I can see you two doing a sort of stand up thing, maybe with Smilie masks. "Laaadies and gentlemeeeen, please welcome, all the way from yankeeee land.... put your hands together for the Smilie boys..... Kenny and Timmy!" |
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#4
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What method is most prevalent in New Zealand?? I'm a student of the Petracchi technique which in my opinion is the most thought out method of thumb position and no where does it suggest you play anything above the E harmonic on the E string. It's simply just not going to sound as good as on the A string and it will be less in tune.
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#5
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Nay, but seriously folks. I took some lessons from a guy called Harry Botham around 1979. He was ex principal of the NZSO and had played in the LSO. One of the first things he showed me was how a G major scale, that could be played in half and first position, could be just as easily played in thumb position - with the thumb on the octave harmonics. My E string sounds great, and the notes don't seem hard to get in tune. I must admit I've never heard of the Petracchi technique - for all I know it could be a method used to make sausage rolls. Calvin, please feel free to enlighten me. |
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#6
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You know, you can also play standing on your head if you work at it long enough as well. As Calvin mentioned, playing above the E at the octave is nothing anyone wants to hear. I have seen jazz player play fast runs across thumb position from the G to the E but just short pizz show-off lines. Nothing musical about that and no hunting for pack wolves either and then complaining if they show up to feed after being baited. Play safe and play like the rest of the world on the notes as intened.. please.. ![]() |
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#7
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Play safe? Like the rest of the world? Come on Ken, what happened to the pioneering spirit? I can bow those notes fine. You guys up there need to harden up.
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#8
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Sometimes a wolf on an Ab isn't so much a wolf, as it doesn't result from the natural resonating frequency of the body but from the open G string. Try muting the G when you play Ab on E.
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#9
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. As I said, it's a great method, but I don't have to enjoy it! |
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#10
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"Mean ol' critter"??? Not. You should consider reading up on Wolves, Richard. I think you might be surprised what you might learn about them and in the process help dispel the misconceptions that surround them.
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Tim Bishop |
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#11
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Dances with wolves? |
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#12
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It was a good movie. Not nearly as interesting as the real thing.
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Tim Bishop |
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#13
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Isn't a wolf just a skinny dog with a bad temper?
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