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![]() Thanks, old buddy.
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![]() Great. That sent me back to Sally Gooden. I had worked it up a bit at some time but the definitive version (Eck Robertson's) has a three octave range and I had a hard time making it work in my head. I'll see if I can get it where I like it and post it sometime. It's nice to add some improv to it, I do that all the time but tend to stick to the tune when I record something. Nice ideas.
Here's that version: http://files.me.com/bassnote/aizmgf.mov What amazes me is the drive and fluidity and stream of good ideas. When he finally lays on that minor it's a real release. Last edited by Jason Sypher; 02-12-2010 at 12:12 PM. |
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![]() Quote:
Last edited by Richard Prowse; 02-15-2010 at 02:14 AM. Reason: life |
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![]() And a great piece of work it is! Funny thing is, as I listen again, you actually intuited a lot of what is found in that great piece of fiddling I put up on my server. There is some really high stuff that I really struggle with (at the end of the fingerboard) that I bet you could pull off easily. I'll check the link and see what I can do.
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