![]() |
|
#1
|
|||
|
|||
![]() Quote:
|
#2
|
|||
|
|||
![]() Ok, Arnold wins. The Ouiga Board thing made me " almost " piss my pants. I want to buy one of his basses just based on this comment. Thanks for keeping it light and positive Arnold. The bass is hard enough already. Much thanks for the laugh.
|
#3
|
||||
|
||||
![]() And furthermore, you want it to be a reliable ouija board, because its not like cutting a new bridge where you can try another blank and swap between the two if you want; you obviously don't know if the bass bar you have made works until you put the top back on and play for a while. And if it doesn't improve things, you're not guaranteed that by removing the top again and shifting the bar over a few mm (big job = new bar) that you'll get an improvement! So ... roll again
|
#4
|
||||
|
||||
![]() Quote:
Then, put the Bar in big and long. Then trim it back little by little. Slight angle to the grain fanning to the outer lower bout and also plan and measure out the Bridge size and placement. Not all Bar's need to be up against the Fs upper Eyes. Measure their distance across the Eyes first and make sure IF wide, you put it in a little so you can find a bridge that is not too narrow. 150-160mm is the average. Finding a good blank over 165mm is difficult. The Leg, not outer foot should be centered over the bar. You can take the top off later and trim the bar down if need be. You cant add the wood back so a heavier Bar will just take longer to break in. If too heavy after a year or two, then it can be trimmed down. Give it time as it has to break in. In my experience I would say a 2 year minimum before making judgment after a big restoration. The NEW wood has to settle in. I have some pics on my website of the Gilkes and Prescott inside with Bar pics and shapes. The Gilkes is a full 3/4 or so and the Prescott more of a 4/4 size. I did have a small, thin, short bar in my big Gamba English bass and we left that in. The Top was perfect so why change it. If later the Top sags, a bigger/longer Bar can be put in. For now, the sound and arch is great, no complaints. The Gilkes Bar was put in by Arnold. The Prescott looks to be its secondary Bar and very old. Arnold did trim it slightly but there was no need to replace it. ![]() ![]() ![]() ![]() |
#5
|
|||
|
|||
![]() I'd just like to say thanks to Ken & Arnold for taking the time to offer their insight and opinions . I for one really do appreciate the value of this site as I'm sure many others do.
|
#6
|
|||
|
|||
![]() I want to add that the rules for violin bass bar placement are irrelevant with bass, as the variations in bout widths and f-hole placements are enormous in basses.
|
#7
|
|||
|
|||
![]() I have one more question regarding bass bars . If you have a bar that is made and placed properly but is in need of say a little more depth to it , why not add wood onto the top of the bar ? This shouldn't be too difficult with the older more plain looking bars I've seen ??
|
#8
|
||||
|
||||
![]() Quote:
|
![]() |
Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
Thread Tools | |
Display Modes | |
|
|