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#1
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the Spruce top is the lightest wood in the bass; the back and ribs and neck will contribute to most of the weight. That said, it sounds thick; most basses have graduations down to 6mm or less just inside the ribs. But it depends a bit on the wood.
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#2
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That bass bar is way too long.
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#3
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Arnold do you mean that the bar is too long overall , here is a pic of the whole bar ...
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#4
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I may be mistaken. In one of the earlier pictures it looked like the bass bar went almost to the tailblock. In your new picture that does not look to be the case.
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#5
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I'm about to put new linings on this bass / I have a choice of spruce , willow or
maple . I'm thinking spruce at this stage , but still have a couple of questions that maybe someone help me with . Firstly I am still intrigued by the size of the corner blocks . The block surface to rib contact is 3 inches (+- 8cm ) see pic. The blocks are also pretty thick . Secondly , should the linings be 'jammed' as they were into the blocks ? Surely the extra pressure will inhibit vibration transfer ? This bass has such a huge sound that I believe she may have the potential to be something special .......... |
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#6
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Those blocks look fine. Personally, I wouldn't mess with them. Linings are normally butted up against the blocks or even let into them. That's how they are supposed to be. I'd use willow or maple linings.
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#7
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Quote:
Also a lot of makers and repairers mention how important it is to try and not inhibit vibration transfer of the ribs by adding too much repair material or making the ribs thick etc etc ... so I'm questioning the fact that on this particular bass the ribs were wedged between the blocks creating pressure against the ribs , surely its better practice to just 'bump' the edging up against the blocks neatly .... or perhaps there really isn't a right or wrong answer after all ![]() |
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