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#1
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Well, why not just try a lower tension string? There isn't really any adjustment you can make to the bass that will change the actual tension of the strings.
For example, Helicores come in three gauges; you could use medium or heavy on the lower strings and light on top... Or, you could use the 'A' string from a solo set; that should have even less tension. The problem is most likely that the shape of the bridge and/or fingerboard is making the G higher than the other strings, so it just feels tighter. Of course the only way to fix that is to spend some $$$ on a setup and probably new parts too. |
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#2
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Quote:
I'm ready to spend the money! I don't have money for a new bass and here in Serbia it's hard to find decent bass that could suit my style of playing. It's impossible to find good plywood bass with ebony or rosewood fingerboard or without beveled fingerboard (I hate it!) and good quality parts. |
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#3
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Can you try consulting a different luthier?
If you already have an extra light G string and things still aren't working how you'd like, some adjustments are in order. |
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#4
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That would be hard. Luthiers are not friendly with slap players.
Playing rockabilly here and complaining about difference in string tension that is only obvious with slap is very hard I consulted a lot of bassists and my luthier and they all think that I'm a little crazy! |
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#5
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#6
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![]() I know basics of bass setup and everything on my bass looks fine. Maybe the soundpost is too tight! Or something like that I don't know almost nothing about soundpost and how it affects string tension. I have to go to see the luthier to sand my fingerboard (steels did some damage) and we'll try to do something, but I don't know what! But it's not easy when my bass is not comfortable to my, I have gigs all the time and I can't enjoy 100%. |
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#7
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Looks like you have a solid tailpiece wire. Change to a braided cable. That might loosen up the feel of the bass a bit. You also might play around with raising the tailpiece towards the bridge and see if that affects the feel.
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