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#1
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![]() All good points Ken.
On the other hand, a fingerboard is a much bigger chunk of ebony, glued to a smaller chunk of maple. So the movement is going to be more significant there. |
#2
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![]() Quote:
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#3
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![]() Don't worry Ken. I'm planning to!
And May the Fourth be with you. |
#4
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![]() Well, Matthew, I had missed almost all of this great thread, so I have spent the time to sit and read through every post. Very engaging, fascinating stuff.
I'm looking forward to seeing the final product. I hope to begin another bass this month, but there have been a number of developments lately that might make me postpone again. (Sure hope not-- it has been five years sunce I finished the last one...) Press on, my friend! Chet Bishop Last edited by Chet Bishop; 05-07-2012 at 09:44 AM. |
#5
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![]() Matthew, how's that neck coming?
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#6
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![]() Not much change since you last saw it at Oberlin!
![]() As you may recall, after gluing the bits together again ![]() I let Robbie loose with his jig ![]() and before too long the mortise was formed. ![]() then we cleaned up the nice grafting block you sold me ![]() made some more fluffy shavings and chalk dust ![]() and fit the neck nicely into the mortise ![]() ![]() It made it back here with the rest of my tools and tonewood, in one piece and without grief from customs officials ![]() and is now on my second bench waiting for the weekend when i can crank up the bandsaw to cut some new cheeks. |
#7
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![]() That's great! I was wondering how you made out with the travel case. It was a pleasure sharing a bench with you. Got to see the process up close and personal.
Can't wait to see it recheeked and all finished! Best, Brian |
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