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#1
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Quote:
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#2
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No, I just did some very careful drilling. One hole from the back of the extension, and then another connecting that hole to the tuning shaft.
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#3
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These 3 Extensions were made by Luthier Mike Magee near Pittsburgh, Pa.
These are very well made, as are the other extensions I have gotten from Arnold Schnitzer and Jeff Bollbach. These have very good mechanics but different than both Jeff's and Arnold's work which are different to each other as well. All 3 of these Luthiers now use tunable brackets with hand made ebony fingers. |
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#4
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Here's an extension I made for my Lott model bass.
The stick is Jarrah, the latches are an extremely hard local desert wood called Doolalia. Harder than ebony. I chose not to use ebony for the body or fingerboard, as I wanted the extension to look a part of the scroll, not as a chunky addition. |
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#5
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Wow! That is a nice design and nice work. It looks like you brought the Long E string around the top wheel for a 180 degree turn, then on a second wheel, diverted the string to the "E string" gear. That trick is new to me.
You have a Lott bass. I recall that Henry Scott of the Philadelphia Orchestra played a Lott bass while he was in the Baltimore Symphony Orchestra prior to his tenure in the Philly. I believe his was of very dark brown varnish. Very nice job on your extension. -Dr. C. Last edited by John Cubbage; 06-09-2016 at 06:48 PM. Reason: changed to the word "prior." |
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