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#1
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![]() I don't know how into podcasts you folks are, but if you look up NACOcast (put on by Chris Millard, principal Basoon of the NAC Orchestra) there's a great interview with Joel about fifths (though it's not done with bassists as the intended audience). He talks about his bass a bit on there.
http://www.nac-cna.ca/en/multimedia/podcasts/index.html: it's the 04.10.2006 NACOcast episode Joel is playing regular 3/4 Dominants, so I'm guessing his string length is somewhere around 41-42" - anything longer than about 42.25" won't really work with those strings as far as I know. As a side note, I've talked to my prospective new teacher and I will be starting studies though my university in the fall with him. He is a 4ths player though and through, but we talked a bit and he said if I want to try 5ths that he'd go with it. We agree on a few big tuning independent issues (use of extension fingerings/pivots, the amount of thought that should be given to Simandl, etc.) so I think it will go very well. I'm hesitant still, but if I'm going to do it I should do so before I learn all the repertoire in fourths, and while I'm young and can learn quicker... we'll see! |
#2
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![]() I've just added a small amount of stuff to my profile. The string length on my German bass is just over 42", and the New Standard's string length is pretty close to that as well. I've never played Joel's bass, so I'm not sure what the string length is on that.
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#3
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![]() Well, I'm doing it... or at least collecting the necessary strings until I head to my luthier for a long overdue checkup and some minor work. I'll give it at least 6 months and if I'm really struggling at this point I guess it'll be back to fourths! I'll report back here after the change and once I've started with my new teacher in a month.
(if anyone has for sale a used or new Spirocore low C, new or like new Dominant solo F# and solo A please let me know) |
#4
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#5
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![]() I haven't heard that album, but thanks for the recommendation - I'll check it out for sure. Just a side note: I don't usually care for bass type parts played on cello, whether that be in jazz, classical or whatever. I guess it's just the bassist in me, but I'd rather hear it played on a bass, and I'd even rather hear cello compositions at pitch on bass than a cellist if done well (e.g. Jeff Bradetich playing the Bach suites).
Anyway, back on topic I've ordered the strings along with the music for the Vanhal concerto. I'm crazy and have entered a concerto competition right when I'm switching to fifths (I'll have to have it ready for Jan 16), so with that plus my orchestra repertoire I certainly won't be short on practice material! |
#6
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![]() I'm the same way;- a real low-lifer. Since I have adopted 5 strings with the low BB across all of my basses, I have transposed many of my lines to include the lowest notes possible. If you have a low C, check out Footprints played an octave lower than Ron Carter's line. It's more like "Hoof prints" . Try it also with a bow. Slower. Really dark, IMO. Different and cool spooky.
I've been really curious about how this harmonics / resonance phenomenon works with 5th tuning, so I am doing some ****ysis on the frequencies in the circle of fifths vs. those in the reciprocal circle of fourths. So far it appears that there may indeed be a difference. I'll let you know when I have something more definite. It's all math the way I see it, but how it it heard is more important. |
#7
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#8
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Looking forward to Joel's method book!
__________________
"The future? Why, the future is NOW!", said the mirror. |
#9
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From the way Joel speaks about playing the bass I have no doubts his method will be a great resource for fifths tuning. |
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