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#1
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Well the simple answer is that was the shape and position of the FFs on this model.
But, I love 'em, I find the shape tres elegante and kind of why I chose this pattern to build. Now, I look at other basses and think gee, those are tiny FFs!!!! There seems to be no reason why they cannot be so; a broad centre table maximises the connection to the upper and lower bouts, and the long ffs give lateral flexibility where it counts. The wood on the outside of the FFs does not seem to serve any acoustical - or even structural - purpose anyway, so a bit less won't hurt. And ... big holes let big notes out ![]() |
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#2
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Matthew,
I've been following the building here and on the "other site" and all I can say is WOW. That is a stunning bass and seeing it come to life was a lot of fun. Thanks for sharing! Ron |
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#3
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hi matthew
the chinese copied your bass! ![]() |
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#4
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I thought it was made from Chandler Plans? Chandler had the attributed D.Parker Bass from the Elgar book re-attributed as an Amati and then sold these as Amati plans. This model is most likely a cut-down British Bass from the late 18th to early 19th century more so than anything Italian much less the slight possibility of it being the first 'confirmed' Amati ever found.
It may very well be Matthew's beautiful work that put the Chinese on to it but if they also think it's an Amati, the are climbing up the wrong tree. I think it's flattery all around. It would be easy enough to contact them and ask what Bass they copied for this new model they are showing. |
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#5
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Quote:
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#6
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I have the original bass of this model on my workbench. I don't see anything about this bass that leads me to think it is English. I think it is Italian, old, with a replaced scroll and the body received a massive cut-down a long time ago. Even cut-down this is a meaty 7/8 size.
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#7
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