Thomastik Bel Canto Strings

[Katie Long]

It seems that almost everyone over in London is switching to BC's so I'm waiting for my set now. They've got a really good reputation over here so I'm going to give them a try on my bass. Other than that I quite like the sound of the evah pirazzis that lots of people are hyping at the mo. I'll let you know what I think when I eventually get them.

[Calvin Marks]

I completely agree with Ken in terms of "what bow you use." If you don't have the most refined bow technique and you play with a heavier bow these strings will most likely roll on you. It takes a lot of patience to get these strings to work well, but when they do they sound amazing. I love every one of the strings except the E is a bit too low in tension in my opinion. My A used to roll a lot but that had to more so do with getting used to relaxing my bow arm with my new orchestral bow. Definitely try them, they are really loud and sound very warm.

[Brian Casey]

I just put a set on my 7/8 Christopher 401 Monday night and the transformation was amazing. Orchestra rehearsal Tuesday and I left happier with my personal performance than I have in a long time, probably a combination of the BC's and the Oak rosin I received on Monday as well. I had been playing 3 year old Helicores, so anything was an improvement, but I think the BC's will be my string for awhile. Yes, a little soft, but they're still solid feeling, and I'm learning to finesse them better every day.

I was most surprised by the pizz sound, which I was really enamored with. I'm now considering leaving the Pfretschner home on some upcoming jazz gig when I know I'll have plenty of room and try to big Chrissie on a night of pizz. I'll always go back to the Pfrestschner with Olivs and Spiros, but the BC's have revitalized my feelings about the Christopher. I can see some validity to the comments about BC's working best on newer basses, but can't address which ones really do better under more or less tension.

Also, my luthier, who I bought the strings from, mentioned that you can tune the BC's up to solo pitch without problems. He said he's done it himself a couple times. Anybody else hear anything like this?


Brian Casey / Tanglehead

www.myspace.com.tangle_head

[Richard Prowse]

Take one old set of Weichs and trash them to death. Hey, these strings last forever. (Imagine a green smiley guy here)
I've just replaced my trusty set of Weichs with Bel Cantos. I bow a lot, but have to do pizz gigs too. Weichs have been kind to me... kind of like a Fender Bass (no offence Ken; I hear that your basses are miles better, but a Fender always gets the job done!) (Imagine the little face guy three rows down on the right here).
At first I noticed how similar the BCs and the Weichs were... the D & G are slightly stiffer and the E & A slightly floppier. The pizz quality is down a bit, but the arco quality is a step up! Ah, they bow well! (now imagine the white face on the left, second row down) Bow articulation is actually similar to the Weichs, on my bass, but the sound is a little darker. These strings are good! I think we'll be friends for a long while.

[Eric Swanson]

I am checking out a prototype set of Belcanto Solo. Had them on for about a week, tuned at EADG (orchestra). So far, G and D are brighter than regular BC's, A seems a little flat, and E is way too loose/quiet.

The low tension is sweet and the jazz pizz sustain is better than regular BC's. Probably going to tinker with regular BC A and E over the next few days.

I'll report back. You can get them from Thomastik-Infeld if you email them. The only "cost" is that I have to fill out a questionnaire when I am done mulling it all over.

I am hoping that they will eventually expand the line to offer Weich, Stark, and Solo. Time will tell all...

[Richard Prowse]

I've had my Bel Cantos on for a while now and I'm really happy with them. The bow sound is very good. The pizz sound has a strong bottom and I like it, though it was harder to play pizz at first... probably still is, but I really like the sound. Problem is, though, I've got this buzz in my peg box whenever I play (imagine bass guitar frets) 9th on G, 14th on D and 21st on G. Ive checked that the screws on the machine heads are tight and that the strings are securely wound. I'd really welcome any ideas on what the cause might be. When I had the Weichs on, I sometimes seemed to get a buzz on 2nd on G and 14th on G (A).

[Eric Swanson]

The prototypical set of Belcanto Solos I have been trying, tuned at orchestra pitch (EADG), are too loose for my bass, arco. Put back on the regular BC's, over the past couple of weeks.

For jazz pizz, they were sweet; like a warmer Spiro Weich. They just didn't drive the bass enough under the bow.

Oh well. I am glad that I tried them.

They were made for a whole step higher, so not a huge surprise.

Still looking for a brighter G string, so maybe I'll see how a Superflexible or Permanent G works with the Belcanto D, A, and E...