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Old 05-05-2008, 07:47 PM
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Bob Faulkner Bob Faulkner is offline
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Sweet.. As it is in any style..

We're trying to get a demo put together.. once I have a decent copy of something i'll post it.
in the meantime you can get a complete crap version of it in the post your videos thread in the member bass clips subforum.
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Old 12-29-2008, 02:06 AM
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Roger Vaughan Roger Vaughan is offline
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I don't know if I should actually post, as I don't have my Burner back from it's shop visit yet (sending it hopefully ina couple weeks!)... but I don't see myself doing anything different than I do already, once it arrives!

I'm doing a punk-esque rock project, kind of a bare-bones 3-piece. What I write isn't always apparently appropriate for a 3-piece rock band, but we're experimenting. The sound is generally pretty aggressive and fun at the same time.

I gig with a couple groups. One, "The Buddy Roach Quartet", is a mixed-bag combo of jazz, blues, folk and surf/ska. That's a lot of fun, and the Smith ought to slide into that without a seam I think.

The pop cover band on the other hand isn't really much to write home about; but I generally use the Peavey Dyna-Bass Unity or a Danelectro DC Bass for that one. More up-to-date pop stuff with those guys... we get paid to show up and make noise. Not the fav, but it's some side-bread.

I've been doing reggae for the last 4 years (recently left the band), and I was into a Celtic rock band when I was living in Miami around '91-'93 called "The Volunteers". We had a rock rhythm-section with a revolving cast of highland pipes, tin whistle, squeeze-box, harmonica and mandolin. That was a blast. Rough and ready crew, we had dancing, heavy drinking and the occasional fist-fight at gigs, usually instigated by the singer/guitar player's younger brother.

I'll post some clips, as they come up, after the Burner's all set and playing out.
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Old 02-06-2009, 07:43 PM
David Alan McIntire II David Alan McIntire II is offline
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I also play Metal and Rock on my Smith. In fact, been playin heavy music for a long time, and first time I heard a Smith thought it would be perfect. The wide low end is perfect for adding a little drive without thinning your tone, and the mid force and top end clarity keep me in the mix. Bout ten years after hearing a Smith, got one of my own. It's held up exactly as I thought, and made a believer out of my bands' members. I play fretless a ton as well, and as soon as I can get funds up, having a Smith fretless made like my current bass. I'll play anythin, anywhere, any time. But if have a choice, play my Smith. Every time.
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Old 02-06-2009, 08:35 PM
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Keir Riggs Keir Riggs is offline
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I play gospel also and believe me , the Smith is the best tone for gospel hands down!!! I also have a couple of off brand modified jazz basses but they rarely see daylight. Whenever I walk out the door it's the SMITH always!!!
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Old 04-30-2009, 06:28 PM
Michael Wilson Michael Wilson is offline
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I play what ever pays, but i must say, i dont get many Rock gigs playing a Smith if any. Sure get alot of Funk, Gospel, R&B, Smooth Jazz, Ska, Weddings, Club, Big Stage, Small Stage, ect. But no Hard Rock. Once i got called for a rock gig and the band leader said "Where is your Fender" you mean you dont have a Fender? he made a call and got one and said "play it for my gig" Gig paid big bucks, so played the hell out of it. Still dont own one and never will. But for all the other stuff, they say "You bought the Smith Right" You Know It.

Mike
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Old 05-01-2009, 11:43 AM
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If I went to a gig and the band demanded I play a Fender, I would turn around and walk out..
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Old 05-01-2009, 07:36 PM
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Quote:
Originally Posted by Bob Faulkner View Post
If I went to a gig and the band demanded I play a Fender, I would turn around and walk out..
You know, I would walk out too if they demanded what axe I play. But I might audition for a gig where the req was a Fender. Might be a good reason why. Otherwise, I'm the bass player, deal with it.
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Old 05-02-2009, 09:57 PM
Dave Martin Dave Martin is offline
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Quote:
Originally Posted by Bob Faulkner View Post
If I went to a gig and the band demanded I play a Fender, I would turn around and walk out..
Really? With no disrepect intended, does income from music make up the bulk of your living? Or, perhaps, is your schedule full enough that you can afford to walk out of a paying gig?

Understand that I came to Ken's forum to read about and learn more about the multiple facets of playing and owning double basses; I'm unqualified and disinclined to discuss the instruments that Ken builds, but anytime a statement like the above is made, I'm curious about the person who made it...

Since my personal taste in electric basses was set long before I learned about Ken's instruments (in 1971, when I bought my first Fender - a 1969 Precision), I'll happily play acoustic, 5 or 6 string or fretless basses when either the music or the person hiring me requires them. I'm honestly not trying to stir up anything here - I simply wonder how you have the freedom to walk out of gigs because you don't like being told what instrument to play.
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