#21
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Welcome! My daughter's name is Katie so you must be a very nice person...btw, I love London, hope to go back soon.
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#22
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Ken seems keen for you to join the fun on the 'Down Here (NZ)' thread, you must have kiwi relatives that he knows about. You've certainly put a spring into all the boys' steps on this thread! Let's hope they all remenber how the hihat cymbol got its name! |
#23
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sidekick
ok How did the hihat cymbal get its name?
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2nd fiddle |
#24
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lol
boom chic boom chic boom chic boom chic..
or.. _ chic _ chic _ chic _ chic |
#25
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How does Katie feel?
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Correct me if I'm wrong but I would run a hundred miles !
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2nd fiddle |
#26
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hihat cymbat?
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Quote:
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#27
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Oh god, I don't get it...! |
#28
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don't get it?
Boom is the sound of a bass drum and chic is the sound of the hi hat cymbals. Thus being boom chic boom chic.. Boom on 1 and 3, chic on 2 and 4.
You need to play a little jazz in some rhythm sections to really get this. Maybe it's just an American thing. I don't really know.. |
#29
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Keen to Join?.. NOOOOOO..
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Just warning the young lady of her surroundings... Katie is one of the best Classical players we have here on the Forum and is developing into becoming a top Pro in that field. Lets show a little respect for those that take the Bass as serious as it should be taken to reach that level. Richard, this is Ken's Corner, not the Men's Room! |
#30
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In years gone buy there was a breed on male called the gentleman. He basically lived his life (on the surface, anyway) to a code of respect for his social environment. He practised, among other things, something called 'good manners'. High on the gentleman's list of 'the ways to conduct oneself' was a strong desire to show respect to women. When a gentleman passed a lady on the street, he lifted his hat as a sign of respect. The hi-hat cymbol's movement imitates this gesture. Hence its name. |
#31
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I think you misunderstood me, that was exactly my point!
(read my last post) I consider myself a gentleman, especially when I talk to ladies. Whether they are good at the bass or not is irrelevant to me. This is why I used the metaphor of the hi-hat. |
#32
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oooooo..ok
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Just read a few recent posts by you in a few other threads. Some of which I hope she doesn't read. My mind just clumped a few of them together when I read this one. |
#33
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"Let he who is without sin cast the first stone".
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#34
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Ahh..
Rock, Paper, Scissor?
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#35
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Down here we use one rock, a piece of paper, but a pair of scissors.
Viva la cultural difference! ...oh, and the only Chick I know plays the piano and writes songs with names like 'Spain'. |
#36
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So Katie, lets talk about you.
Whats the hardest piece you've had to perform yet? Have you met Gary Karr at all? I've had a couple of email exchanges with him but he's from a different world to me - wonderful teacher though. |
#37
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Funnily enough I've just premiered a piece that was written for me by a composer called Edward Lambert, called 'Trio Sonata in D'. It's for trumpet, piano and double bass. It's really really good stuff, usually I'm a bit funny with modern stuff but this is really good. Although it's very very difficult. Lots of double stopping and chords so technically fairly challenging but by far the hardest part is the counting and stuff. The premiere went really well however, I'm keeping a weather eye out for the reviews that usually crop up on t'internet when I perform with this guy and his orchestra/choir. So that was probably the hardest I guess.
I've not met Gary Karr as yet - hopefully I will some day. But I did have a bass lesson with Paul Ellison during his recent UK visit...awesome! |
#38
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Clips?
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Any of this stuff recorded that you did or any other pieces you could share now that we have a 'Clips' Section available here? |
#39
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Good luck with the practice
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karrtalk [at] garykarr.com |
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