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#1
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Who?
Count me in.
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Tim Bishop |
#2
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well..
You know, I could write a book on the subject but what I was thinking is letting the 'book' write itself by answering questions and see where these answers lead. It wont be in any kind of exact order of events but we can compile that later.
I did a workshop earlier this year at Gerald Veasley's Boot Camp (Reading, Pa) and polled the audience for questions and then answered them in order. I have another workshop to do next month at UArts in Philly. I did the first one there a few years ago but that was on set-up and maintenance of instruments for the most part. Just about all of the Bass students as well as some of the Bass teachers attended as well. This year I will do some more of the Q&A like I did at Gerald's Camp plus a few other things like buying tip for Double Basses and what to look out for. I might also be asked back to the Boot Camp this coming year as well. So, ask just about anything you like about me and the Bass from when I first touched one up until now. I will add some earlier 'related' history as needed as well as 'color it in' a bit to keep it interesting. |
#3
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Questions 1 and 2
At what age did you realize you had a musical gifting and with what instrument(s)?
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Tim Bishop |
#4
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lol..
Quote:
2) The String Bass/Double Bass was my first instrument. The Electric Bass/Bass Guitar came a few years later because a kid in my High School said I should get one and his friend was selling his Bass. It was a 'Hagstrom II' and was my first ever Electric Bass. My first Double Bass was purchased directly from Metropolitan Music in NYC from the Juzek family. It was a 3/4 German made plywood/laminated Bass aka 'crack-proof'. It was the lowest price Bass they sold. The Hagstrom was $80. in 1966/67?. The Juzek DB was $150. plus tax in 1966 but I also bought a bow, cover, music stand, floor stop and tuning fork totaling just under $200. |
#5
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Next ?
Did you have any formal musical training or were you an ear player or both?
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Tim Bishop Last edited by Tim Bishop; 11-22-2008 at 12:24 PM. |
#6
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well..
Quote:
The first day the teacher (Mrs. Aline DaNino) showed us all the Violin, Viola, Cello and String Bass. We were showed how to Bow up and down each string and then tried out each instrument. At the end of the trials we were each asked which instrument would we like to play for the class which was I believe only once a week. Before I was asked, I had been thinking.. Violin and Viola, no way.. Cello? between my legs? yuck, thats for girls to play (I thought..lol). When I was finally asked I looked up to the top of the risers in the back and pointed, the.. the.. that ah.. "String Bass?" she asked.. Ah yeah.. I replied.. lol So, after a few classes I asked to join the String ensemble because I liked it and I saved face, playing the only 'Manly' instrument amongst the 4 choices.. lol .. For real.. That was my thinking.. So, I played there two years plus some Summer programs and then went to NY and auditioned as an incoming Freshman for the ' High School of Music & Art' and was accepted. From there I became a professional Bassist and so on. I was mostly (99%) a reader. The 'ear' thing came later. Using records, playing them over and over I would learn Bass parts and even write them out. I preferred transcribing and reading over listening and memorizing. It was just what I was comfortable with. Probably due to learning 100% from reading with just about 'zero' ear playing in the first few years. |
#7
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So...
So, once you begain playing professionally, what would you consider your stand-out highlights from the beginning of our professional career until now?
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Tim Bishop |
#8
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Richard H. Multi-instrumentalist Monterey, CA I like playing bass - git dare! |
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