#21
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epi-what??
Lol.. Richard, what am I to do with you??
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#22
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Are you asking some guy called 'you you'? Sounds like someone out of The Mikado.
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#23
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Ken, what basses will you be displaying?
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#24
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My Display..
Arnold, I posted this a short time ago, post #15;
Quote:
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#25
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Here is a picture of Ken and his basses at the 2009 ISB. |
#26
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Play it Ken.....
Very cool pic!
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Tim Bishop |
#27
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Who is the guy standing next to Ken? Did Ken give him a turn?
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#28
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lol..
Give a turn? Of course. I only played the bass for the picture. Most of the time I just watch them play and answer questions about the basses. That is the Martini by the way that I was playing in the picture.
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#29
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Ken @ ISB convention, photo II
Another photo from the Convention. Last edited by Craig Regan; 06-11-2009 at 08:18 AM. |
#30
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Great pic!
Great pic!
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Tim Bishop |
#31
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Yes, great picture.
Is the G string set at 5mm? |
#32
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5?
If that's the Martini, I will measure it. Probably closer to 4mm under the 'G'. That bass plays like a dream..
Stefano Sciascia played the Martini today as well as most of my other basses and asked if I play it a lot as he commented that it was more 'open' than the Gilkes or Hart. I told him it is one of my favorite basses to play. He also liked the Candi as well. What a player he is or rather I should say, what a musician. Also, he is one of the nicest people I have ever met. At the same time I had the world famous Italian Luthier Sergio Scaramelli there also playing the Basses. |
#33
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Quote:
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#34
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ok..
I am back home, finally. This was a long week. I packed up basses on Thursday and Friday, loaded the van on Saturday and drove up Sunday. I set up Sunday and Monday and the exhibits that were supposed to start on Tuesday started on Monday for us. Why? because our room was in the Music building where the Solo competition was being held. As people emptied out from the theater, they wandered into my room. I was also sharing the room with Bow dealer Chris Brown who is also a top notch bassist. He is the Principal with the St. Paul Chamber Orchestra and formerly played with both the Pittsburgh and Detroit Symphonies.
So, what does one do working all week long with a bassist of that caliber? Ask for a Lesson, of course.. I also got a lesson with another bassist that I have known for years (Doug Mapp) but didn't know he was as good as he is. he is currently the Principal of the Reading symphony and has subbed and toured with the Philly Orch as well. I knew he played in the Reading but never knew about the Philly job. Now I have some work to do. Besides the two semi-formal lessing in which I played a bit and then took comments and correction as well as what to do to work on things to fix the problems, I was able to watch up close and personal some of the best players in the world play my collection of basses. Example.. Just before dinner last night, Arnold Schnitzer (a bassist too.. don't kid yourself), my friend Kevin (a Philly pro and teacher at UArts) and myself were playing a Bass trio jazz tune. Paul Ellison walks but and hangs out to listen. Then as I am about to take a solo, John Clayton walks by and I call out, "John, come help me with this. I don't know the tune".. (joking slightly). He takes "Big Ben" from my hands (Arnold with the Martini and Kevin with the Candi) and starts playing some chords. Then Arnold hands me the Martini and I bow the bottom till we finished... Just another day at the office.. lol There were so many top players there I felt like I was a beginner. Leon Bosch came by several times each day and played my basses. He is so so good I can't begin to tell you. I don't think I can play as good as him if I live another 200 years.. Folks, JOIN the ISB and ask for a copy of the Program of this last show that ended today. You will not believe how many great and famous players where there. The Basses on exhibit were just a drop in the bucket as compared to the music played and the people there. I met Linda McKnight while finishing up dinner and than sat next to Bert Turetsky while watching Ron Carter in concert.. Just a small sample of an evening at the ISB.. Oh, and I walked from dinner to the concert with Stefano Sciascia as we just happen to be walking out of the same restaurant. |
#35
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4mm..
Quote:
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#36
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Quote:
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#37
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Quote:
Here's my John Clayton story. I hope he reads this. It's 1976 or 77. I just finished a week at Blues Alley in D.C. with Gap Mangione (Chuck's older brother). We have a night off before we fly to Seattle for our next engagement. I go into the club to try and hit on Susan, a gorgeous air-head of a waitress. The band starts up. Monty Alexander with Jeff Hamilton and John Clayton. I stop my flirtation in mid-sentence as my jaw will not rise from the floor. My goodness, it sounds like Ray Brown on the bottom end, but with something else, a slightly different bounce to the notes, a little more aggressive feel. Then he takes a solo! I left my place at the bar and went to hang by the bandstand. After a couple tunes, I started drinking. A lot. "I'm finding another line of work", I told myself. In the end I did find another line of work, and that's going just fine. John, you are a mother$^%^$ of a musician and a wonderful guy to boot. It was a thrill to hear you in 76/77 and to play a few choruses with you in 2009. |
#38
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Wow..
Wow, too cool!
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Tim Bishop Last edited by Tim Bishop; 06-14-2009 at 01:17 PM. |
#39
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Speaking of "too cool"....
Speaking of "too cool" and "wow"....if you haven't seen or heard this; check this out:
http://www.youtube.com/watch?gl=GB&h...&v=7vfHTn_4SFw
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Tim Bishop |
#40
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Ken or Arnold...
Quote:
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Tim Bishop |
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