Low 'B' to match Perm's..

[Ken Smith]

I started a thread on 'Which 'B'?' some time ago but that was for a different bass which is long gone now.

I just got my *Hofner 5er (*old pics) back from Mike Magee in Pittsburgh and she's beautiful, the Bass, NOT Mike.. lol

It needed a full set-up so I had the Board pulled and replaced, a CF Rod put in the neck to stiffen it, the neck re-carved with the fake flame removed (shows some nice figure now), new bridge with adjusters and new Permanent strings from G to E.

We discussed the Strings and went with Permanents for the G-E but he thinks that the original 'B' a Thomastik 'Precision' solid core is a great sounding string. The previous 4/4 5er I sold ended up with that 'B' as well but a brand new string. The Strings on this bass were the originals from 1977. Although the bass has barely been played, they had been at or near tension for over 30 years now.

So, should I put a Permanent 'B' on there to match or what? The Permanents on there now sound great and Bow nice and smooth.

Also, this bass being a 3/4 Wilfer/Juzek style model (if not an actual Wilfer re-labeled) might be best utilized as a high 'C' 5er rather than an Orchestra 5er with Low 'B' but only time will tell. The bass IS fairly loud so I need to take it out to a rehearsal or two and see what she can do.

With some of the 5s I have had and tried I was able to either move the strings over into wider slots and move the 'B' off to the side to use it as a 4-stringer or just take off the 'B' from the bridge and tighten it back with some foam so it doesn't vibrate and use as a 4 as well. This bass however now has a really wide board and full 27mm spacing each string, same as the average orchestra 4, more or less.

So, keeping it set-up for Orchestra, would a Perm B be the best choice?