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Old 08-01-2007, 12:27 PM
Charles Federle Charles Federle is offline
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I actually do like the latch on the E-stop. Though I have bumped my head against it more then once, but for me I think it just stopped me from hitting my head against the scroll As for all the added decorations on the Robertson's extension they do have a purpose, and that is when you are fingering a note you have a physical reference, something I wish mine had. I do wish they moved easier as well. On mine I am so used to just being able to run my hand down the string and open up a gate that I have hurt myself on a few extensions trying the same thing. The one on my bass is David Graham's first extension.
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Old 08-01-2007, 07:34 PM
Bob Branstetter Bob Branstetter is offline
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Quote:
Originally Posted by Charles Federle View Post
I actually do like the latch on the E-stop.
I also like the E latch type that can be opened with the thumb without taking the left hand away from the neck. I've been using one of this type that was installed on my personal bass about about 30 years ago. Recently, I decided to upgrade this old single latch extension to full chromatic by installing three of Rob Anzellotti's brass "capos". While they may not look as elegant as the carved ebony or exotic hardwood latches, they are relatively low cost, light weight, easy to adjust and (from my experience) function perfectly. IMO, anyone who has an extension with just the E closer and who would like to convert it to a full chromatic should take a good look the "capos" made and sold by Rob Anzellotti. Many luthiers are now installing the Anzellotti's "capos" as part of their new hand made extensions.
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