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#1
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Your Favorite tone setting...
Hello all! Just joined the KSB club a few days ago with a stunning Black Tiger 5 string. My question as a newbie-do you have a favorite setting for your tone? I know every player is different, and every bass is unique etc.-but with such a large choice of tonal variations on this bass I wonder if some of you have particular settings you could share.
For example, this sounded pretty jazzy to me so far: Balance slightly towards the rear PU toggles both down 1/4 turn +bass 1/8 turn +treble flat mid something like that.... I would love to hear some of your insights, and what styles they work well for. Thanks! Here's a pic from Ken before she was stringed... |
#2
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Hi Jason and Welcome here.
Unless you are playing directly to the line mix board,( then maybe the bass controls are the only to take in consideration), I really think that the overall bass tone for a player is a sum of several things like: bass type, strings, cables, amplifiers, boxes, effects and of course playing technique. In this case it's rather difficult to have a sound formula or a sound refference only with the position of the bass' controls. Best regards |
#3
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Quote:
Both toggle switches up gave the bass more of a fender precision sound, especially with the treble turned down a bit. I run my GK 700 straight up pretty much, but even through other amps the basic tone of the bass comes through. Maybe it is kind of a plebeian question, but my last bass was a 1977 Music Man Stingray with a volume control and treble/Bass. Not much choice-although it sounds great. My friend Trevor showed me how he likes to set his KSB tone controls-it was pretty interesting. I also wondered if anyone fools around with one toggle up, the other down etc. So I guess the better way to phrase this newbie question is: Do you have an unusual setting you use to give your KSB a "Unique" tone? If nobody answers I will move on... |
#4
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Tone settings?
Any response you would get would be subjective at best: Way to many variables. You really need to experiment and dial-in the tone that works for you. The Smith circuit is not a complicated one and with the right bass and amplification set-up, you should be able to achieve the tone that not only defines a Smith but settles into the mix as it should.
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Tim Bishop |
#5
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I run my amp flat, and control tone entirely from my Smith.
I run bass boosted (about 2 o'clock), Mids flat to slightly cut, Treble boosted slightly (about 1 o'clock) pickup balance slightly favoring bridge, (about 11 o'clock) and vary between both pickups in parallel, or neck pickup in series. All in all, you and I arrived at about the same settings.
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Proud original owner of a 2001 Ken Smith BSR4EG lined fretless. My band's site: Delusional Mind |
#6
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Quote:
First actual band rehearsal with the KSB today-the guys loved the way it sounds! I love the extra boost you get by running both PU's in parallel-Classic older sound only more present. We do a variety of modern jazz through older 40's & 50's material, the versatility is great. Thanks for responding! |
#7
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Tone
I run everything flat, with a touch of bass boost. My sound guy loves me to death.
Mike |
#8
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Sorry for my question but...my luthier instaled a new 3 pot circuit and i'm not sure of the position of pots.
Is anybody can say to me what the exact position of these pots ? i mean the white line of pot... Sorry for my very bad english |
#9
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My favorite tone position - flat. sometimes when I use only the neck pickup and need more bottom - a slight bass boost.
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