So what we REALLY need is two instruments! One for your regular gigs, and one that will make those hardcore baroque people call you up. You know, the ones sneering at anything newer than C.P.E. Bach, and at anything spun other than possibly the E string. Period music is becoming all the rage, it seems, and those baroque guys simply won't call you if you don't have the right gear. Then, it can be a really crappy bass, and sound sh1t when you play—at least you'll be playing on Gut, and they'll be satisfied. Maybe you can even purchase the cheapt 'baroque' bow you can find, and they'll be all fired up.
(Sometimes, I get the feeling that what these guys really do want to hear is a bit of rock'n'roll attitude, and they couldn't care less about the tonal quality. I kind of sympathize with that.
)
Anyways, that's what it's like in Scandinavia. You go all-in, or you're not in. Of course, the orchestras still do classical symphonies and the occasional Baroque mass, and maybe the leader will try to impose some supposedly old style phrasing on the reluctant musicians brought up in the 20th century, maybe they'll even go as far as to change the E string of the violins to gut... but here we're talking project or freelance type ensembles specialized in period playing, and—as a freelancer—any gig is a gig you don't want to miss, so you better stand and deliver.
Edit: Oops, Calvin managed to sneak in a reply while I was writing, basically saying the same thing but with fewer words... I'l learn to express myself more concisely, and next it'll be me who posts first!!
01-23-2010, 06:16 PM
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