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I played at least one snakewood bow and some point, but I can't for the life of me remember what it was or even who had it. My only impression was that it was "different", and not in a good way; but who knows, that may not have anything to do with the wood itself.
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#2
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#3
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Bow wood
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I bought it (my one and only bow) in 1963 in Albuquerque. It is a French style with no name or stamp, perfectly straight with a (I believe!) good camber. I've had it rehaired several times but have never thought to ask any of the luthiers if they could identify it. Can the wood be identified by just looking? |
#4
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Bow wood
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#5
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ok,
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Basically speaking, Pernambuco is Brazilwood that grows in the town of Pernambuco. Like Sparkling wine and Champagne. Before this wood became the standard for bow making, woods like Snakewood and Ipe' (Pau d'arco) were used for bows. Many old violin bows by the great masters of a century ago have been seen with nail holes in them. Why? Because the wood was used to make barrels for goods imported from Brazil. The Bow makers got the wood cheap and I assume used what they could as long as the holes did not affect the integrity of the strength of the bow or were easy to fill. |
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Who knew?
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#7
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Not sure if this helps, but I've played two or three 'brazilwood' bows, and I would say generally that they have less density and resilience than pernambucco. Not as responsive to play, as a result. That's not exactly a large survey sample, but I personally would not buy a brazilwood bow other than as a cheap option for a student. From what I have seen, for the price one might be better off looking at carbon fibre bows...
This past summer I played my first snakewood bow. It was an absolutely beautiful bow but way too heavy and not at all balanced in a way I'd like. Snakewood seems to be used often for baroque bows, but I have never played one of those. |
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