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  #1  
Old 11-10-2015, 01:20 AM
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Ken Smith Ken Smith is offline
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Cool a Bass by Louis Lowendall (1842-1918)

I have a beautiful violin shaped model here now made in 1910. Fully Restored with C-Extension by AES NY, August 2016.


Stamped in the back of the Peg box;
-----------------------
Lowendall's

4 .........S
?(can only see the 4 and the S faintly)

Grand
Concert
---.----
(design there)

Stradivarius
-----------------------
This is a 7/8ths (or 4/4 size of its time), 'BERLIN' stamped in the upper back button. Beautiful reddish brown varnish (the red well faded), with a grafted neck, original scroll with slight scars from a previous mechanical C-Extension. Wide lower bouts, deep ribs w/outer linings, slightly sloped shoulders and easy to play. Well arched round back tapered and the upper bout ribs taper towards the neck to 6 1/4" wide. Well flamed maple throughout with fine-medium grained spruce top. Deep warm tone with good projecting power.

Measurements:
String Length; 41.75"
Top; 44"
Back; 45 1/2" including button
Upper Bout; 20.25"
Middle Bout; 15.25"
Lower Bout; 27.75"
Ribs (not including plates); 8 5/8", upper bout tapers to 6.25"/Neck.

This looks to be the real deal from its period, a professional orchestra bass. For more information on L. Lowendall and his son Louis Jr., read this article from the 1893 exhibit in Chicago.
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  #2  
Old 11-15-2015, 02:31 AM
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Ken Smith Ken Smith is offline
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Cool My Lowendall debut..

First concert was tonight (Saturday) with the Lowendall with rehearsal the night before. I have another rehearsal later today (Sunday) and one on Wednesday. So far, the bass works well on stage. The test continues..

The Bass section from Left to Right; Chris Clark (Saxon bass early 20th century), Larry Jones (W.Uebel, Saxony late 19th century), Harvey Kaufman (1980 Pollmann), Ken Smith (1910 Lowendall).
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Old 11-28-2015, 01:45 AM
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Thumbs up after the test on a few gigs..

Quote:
Originally Posted by Ken Smith View Post
First concert was tonight (Saturday) with the Lowendall with rehearsal the night before. I have another rehearsal later today (Sunday) and one on Wednesday. So far, the bass works well on stage. The test continues..

The Bass section from Left to Right; Chris Clark (Saxon bass early 20th century), Larry Jones (W.Uebel, Saxony late 19th century), Harvey Kaufman (1980 Pollmann), Ken Smith (1910 Lowendall).
The Lowendall impressed me so much and in many ways, that I have decided to put it thru a full restoration. I dropped it off at AES in NY last Saturday. It will then likely become my main personal bass. In the mean time (4-6 months), I am using my Pollmann. (Edit: I mean the Marconcini.. no, no.. I mean the Marcucci. Back to the Italian.. lol)

Last edited by Ken Smith; 05-08-2016 at 11:49 PM. Reason: changing..
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Old 05-21-2016, 05:42 PM
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Ken Smith Ken Smith is offline
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Lightbulb shop..

My Bass was made here in this building but in 1910, at 121 Reichenberger Strasse, Berlin.
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Old 08-17-2016, 05:19 PM
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Ken Smith Ken Smith is offline
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Arrow ~ Sold ~

Fully Restored with C-Extension by AES NY, August 2016.

FYI, I sold my fine English bass nearly 2 years ago and replaced it with a nice Italian bass (both were my main orchestra basses at the time) and now, the Lowendall has replaced them both. I find this bass to be about as good as nearly any of the other fine English or Italian basses I have owned and used in the past.

~ The Bass has been Sold ~
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Last edited by Ken Smith; 12-14-2017 at 06:25 PM. Reason: ~ Sold ~
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