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Old 01-08-2009, 01:02 PM
Matthew Heintz Matthew Heintz is offline
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Join Date: 12-22-2008
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Quote:
Originally Posted by Ken Smith View Post
With all of these various demands, what are you expecting to spend on a Bass new or old and what are you willing to spend if you are aware that your wishes are beyond your means?
Good question/point. Since Martin asked in connection with his new build, presumably we're talking about new basses here. My hypothetical price range (not that I'm shopping): $17.5k to $24k. That's a broad range, but, not unreasonable, and, for a plain jane bass, I believe that it would include new basses from most luthiers in the US and Canada, while excluding many across the pond due to the Euro/dollar conversion. Other than the detachable neck, the bass that I described above is plain jane and would, I expect, be on the lower to mid end of the spectrum (flatback gamba with extension). Old basses are a whole different ballgame.

Quote:
Originally Posted by Ken Smith View Post
Personally, I cannot stand those angled endpins. I like my Basses with as few holes in them as possible. I plugged up one of those angled holes on a Bass that came in and gained about 20% more noticeable volume and depth in tone. I tested this 'dry' before gluing the 'custom fit' Plug in the Bass.
Then the KC tilt block or equivalent could be an option. No drilling. Relatively cheap and easy to add and remove. Of course, many notable players feel that the Laborie improves the sound of the bass. Personally, I didn't want to drill. I didn't notice a change one way or the other that I could attribute to the KC tilt block, but I changed a number of other variables, so I really can't determine. The bass did sound better with the tilt block than with the eggpin. In terms of playability, the angled pin made a world of difference for me, but, of course, it's not for everyone. Since Martin asked what I'd like to see, there you have it. You might find that a bass that was designed for the Laborie (rather than a bass later drilled for one by a luthier who may or may not have experience with the process) would have better results.

Quote:
Originally Posted by Ken Smith View Post
Also good to note besides just your wishes is what you will be doing with this Bass as well as what type/level player you are currently. Sometimes, a maker can suggest things you are not aware of as well as exclude a few things that may not be in your best personal interest.
Me = amateur, classical, been playing for 19 years. Other than the detachable neck, the bass that I described above is very close to my primary bass. The detachable neck would have saved me a few thousand dollars and a great deal of hassle, and for a player that is on the audition circuit or traveling to gigs, it could make the difference between affording to go or staying at home; this I know from my limited experience with traveling (between 5 cities over the last 15 years). Some luthiers obviously feel that the detachable neck compromises the bass, but a number of well respected luthiers (e.g., Ross, Lamarre, Hamm, Radelet, Auray, Charton) offer the option. A debate for another day. Radelet and Ross are in the above stated price range; I don't know about the others, but probably not.

Last edited by Matthew Heintz; 01-08-2009 at 03:24 PM.
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