Another thought (I got from a former teacher, Terry Plumeri) is practicing open strings a bit every day. As near the bridge as possible, as many metronome beats per bow as possible. After that, practice some open string crossings (every combination) with just the RH, focusing on clarity of tone and an even sound. Similar idea to the Zimmerman bowing book, only on open strings. Different bowings, different speeds. Then, when I practice scales/arps, I do them with different bowings (slurs, hooked, etc.). Luckily for all of us, none of these are original ideas of mine.
Using a mirror helps to make sure that things look right. Having a teacher who can provide a model for an effective bow arm is priceless. I still remember how Lew Norton's and Robert Brennand's bow arms looked in action. What sounds they got.
While I have never matched their formidable skills, and never will, at least I know what the moves should look and sound like...
Last edited by Eric Swanson; 04-24-2009 at 11:43 AM.
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